Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 154
... composers are showing more radical changes in style in the course of their development than ever before . Instead of manipulating conventional formulae to their own individual expression , individual composers are largely concerned to ...
... composers are showing more radical changes in style in the course of their development than ever before . Instead of manipulating conventional formulae to their own individual expression , individual composers are largely concerned to ...
Page 166
... composers before and after him , was utterly frustrated by the prevailing conditions that caused his music to be inadequately performed . But Beethoven the composer -the musical ' voice ' of revolutionary Europe was in a position of ...
... composers before and after him , was utterly frustrated by the prevailing conditions that caused his music to be inadequately performed . But Beethoven the composer -the musical ' voice ' of revolutionary Europe was in a position of ...
Page 170
... Composers on Music ( Pantheon Books Inc. , New York ) . 29. Leon Vallas : The Theories of Claude Debussy ( Dover Publications , New York ) . 30. Marshall McLuhan and Quentin Fiore , co - ordinated by Jerome Agel : The Medium is the ...
... Composers on Music ( Pantheon Books Inc. , New York ) . 29. Leon Vallas : The Theories of Claude Debussy ( Dover Publications , New York ) . 30. Marshall McLuhan and Quentin Fiore , co - ordinated by Jerome Agel : The Medium is the ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis