Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 24
... created the professional musician as a re - creator , performing at a passive audience . Music acquired a new function of educating or edifying others and this , for the first time , created a gap between ' amateur ' and ' professional ...
... created the professional musician as a re - creator , performing at a passive audience . Music acquired a new function of educating or edifying others and this , for the first time , created a gap between ' amateur ' and ' professional ...
Page 48
... created competition . The emergence of large , urban societies made laws for the control of man more relevant than ... Creating a Low-Brow.
... created competition . The emergence of large , urban societies made laws for the control of man more relevant than ... Creating a Low-Brow.
Page 57
... created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music remains anonymous . Working class music was all anonymous . The association of popular ...
... created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music remains anonymous . Working class music was all anonymous . The association of popular ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis