Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 14
... essentially sensory and collective , the response to western music is essentially cerebral and individual . Western society has become inured to the idea , not only that the relationship between people , objects , thoughts —and sounds ...
... essentially sensory and collective , the response to western music is essentially cerebral and individual . Western society has become inured to the idea , not only that the relationship between people , objects , thoughts —and sounds ...
Page 89
... essentially reiterative and accumulative style of the Afro - American tradition with Western sensitivity and acuity . The Beatles proved that pop music could exist solely in the recording studio , divorced from the business of public ...
... essentially reiterative and accumulative style of the Afro - American tradition with Western sensitivity and acuity . The Beatles proved that pop music could exist solely in the recording studio , divorced from the business of public ...
Page 91
... essentially black quality of Soul . He manipulated the black pop sound into the album format with music encompassing ... essentially a Soul musician , has been idolized by Rock audiences . Above all , he embodies the fact that jazz and ...
... essentially black quality of Soul . He manipulated the black pop sound into the album format with music encompassing ... essentially a Soul musician , has been idolized by Rock audiences . Above all , he embodies the fact that jazz and ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis