Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 43
... influenced by Italian folk music . By the close of the century , the Italian influence was on the wane and the cosmopolitan city of Vienna had become the musical capital of the Western world . Thus the folk traditions of Austria and ...
... influenced by Italian folk music . By the close of the century , the Italian influence was on the wane and the cosmopolitan city of Vienna had become the musical capital of the Western world . Thus the folk traditions of Austria and ...
Page 74
... influence on jazz . The patriotic marches of the Civil War did not fade away when it was over . The marching bands became another ceremony to give unity to the American nation . Military bands abounded and the influence of the march is ...
... influence on jazz . The patriotic marches of the Civil War did not fade away when it was over . The marching bands became another ceremony to give unity to the American nation . Military bands abounded and the influence of the march is ...
Page 91
... influenced by the white hippie movement , made possible the new sound of Motown Soul - that of the Temptations and the Jackson ... influence Wonder was , of course , Miles Davis . As the instigator of what we now call jazz - Rock , Davis ...
... influenced by the white hippie movement , made possible the new sound of Motown Soul - that of the Temptations and the Jackson ... influence Wonder was , of course , Miles Davis . As the instigator of what we now call jazz - Rock , Davis ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis