Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 97
... listener any longer . The listener becomes the music . And by that music is influenced by the listener because he changes the music . What is the Music ? I don't know.26 Stockhausen 1971 ' Among the hills , what have I ? ' On the ridges ...
... listener any longer . The listener becomes the music . And by that music is influenced by the listener because he changes the music . What is the Music ? I don't know.26 Stockhausen 1971 ' Among the hills , what have I ? ' On the ridges ...
Page 144
... listener ) by special uses of timbre and harmony . ' Et Expecto Resurrectionem Mortuorum ' ( 1964 ) for winds and percussion , based on scriptural texts , was conceived to be performed in vast spaces , from cathedrals to mountain ...
... listener ) by special uses of timbre and harmony . ' Et Expecto Resurrectionem Mortuorum ' ( 1964 ) for winds and percussion , based on scriptural texts , was conceived to be performed in vast spaces , from cathedrals to mountain ...
Page 145
... listener like deliberate shock tactics . Because of their unfamiliarity , these parameters assumed the foreground over what was , theoretically at least , a total synthesis of all four parameters . As is so often the case , the listener's ...
... listener like deliberate shock tactics . Because of their unfamiliarity , these parameters assumed the foreground over what was , theoretically at least , a total synthesis of all four parameters . As is so often the case , the listener's ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis