Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 52
... political overtones . The great flowering of English folk song in the 1400s was the result of a political and social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was the result of a ...
... political overtones . The great flowering of English folk song in the 1400s was the result of a political and social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was the result of a ...
Page 124
... political and scientific parameters were far from clear at the time . Although the French Revolution had established that man and not God would be responsible for political and social relationships , effective solutions to the ...
... political and scientific parameters were far from clear at the time . Although the French Revolution had established that man and not God would be responsible for political and social relationships , effective solutions to the ...
Page 125
... political attitudes . Kurt Weill with his Threepenny Opera and Marc Blitztein with The Cradle will Rock achieved notoriety for their communist motivation . But Shostakovitch in Russia , applauded as a composer of the Soviet state in his ...
... political attitudes . Kurt Weill with his Threepenny Opera and Marc Blitztein with The Cradle will Rock achieved notoriety for their communist motivation . But Shostakovitch in Russia , applauded as a composer of the Soviet state in his ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis