Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 17
... social circumstances that were very different from our own . Above all , it means understanding the past in relation to the wholly different cultural milieu in which , like it or not , we presently find ourselves ; and it means ...
... social circumstances that were very different from our own . Above all , it means understanding the past in relation to the wholly different cultural milieu in which , like it or not , we presently find ourselves ; and it means ...
Page 34
... social rank and financial means ; and as most of the nobility were facing each other from one side of the theatre to the other , they had ample opportunity to display both rank and means by their attire . The same aristocrat again : The ...
... social rank and financial means ; and as most of the nobility were facing each other from one side of the theatre to the other , they had ample opportunity to display both rank and means by their attire . The same aristocrat again : The ...
Page 52
... social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was the result of a political and social restlessness of a majority middle class . The attitude of the Church to these satirical ...
... social restlessness among a majority working class , just as the new crop of ' folk ' in the 1960s was the result of a political and social restlessness of a majority middle class . The attitude of the Church to these satirical ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis