Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 57
... thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music ...
... thing as plagiarism in the working man's music . While the isolation of art from ritual created the possibility of genius , the polarised class structure of capitalism created the need for copyright . Much of pre - Renaissance music ...
Page 116
... thing : The creative person shows himself naked ; and the more vigorous his creative act , the more naked he appears : sometimes totally vulnerable , yet always invulnerable in the sense of his own integrity . I am now 69 as this is ...
... thing : The creative person shows himself naked ; and the more vigorous his creative act , the more naked he appears : sometimes totally vulnerable , yet always invulnerable in the sense of his own integrity . I am now 69 as this is ...
Page 155
... thing less well : fashionable silence interspersed with predictable textural variations ; vocal lines with melodic implications but which are incontestably a - melodic ; perpetual reincarnations of ugly and worn - out microtonal ...
... thing less well : fashionable silence interspersed with predictable textural variations ; vocal lines with melodic implications but which are incontestably a - melodic ; perpetual reincarnations of ugly and worn - out microtonal ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
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19th century acceptance achieved American appear art music artistic association attempted audience aware basic became become Beethoven began Blues Books Cage called cause century ceremony Church classical collective communal composers concept contemporary continue contrast course created culture dance early effect electronic elements emotional essentially European exist experience expression fact folk function give groups harmony human individual influence integral Italy jazz largely least less listener live London means melody middle musicians nature never notes notion opera orchestra original particular performed pitch play political popular possible present primitive problem produce record remained Renaissance response result rhythm ritual Rock rule seems sense sentiment shows sing social society songs sound space structure style symphonic taste thing timbre tradition tunes universal Wagner Western York