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unless there is a public road equally convenient, pass and repass with or without horses or carriages over any adjoining lands without the owner's or occupier's consent, doing as little damage as possible, and may also deposit there any things recovered from the ship; any damage so done is a charge on the ship, cargo or articles, and is recoverable like salvage (q.v.). Penalties are imposed on any owner or occupier hindering the operations. The receiver has power to suppress any plundering or disorder, or any hindering of the preservation of the ship, persons, cargo or apparel. Where any vessel, wrecked or in distress as above, is plundered, damaged or destroyed, by any riotous or tumultuous assembly ashore or afloat, compensation must be made to her owner in England and Scotland by the same authority which would be liable to pay compensation in cases of riot (q.v.), and in Ireland in cases of malicious injuries to property. In the absence of the receiver, his powers may be exercised by the following officers or persons in successive order, viz. a chief officer of customs, principal officer of coast-guard, inland revenue officer, sheriff, justice of the peace, and naval or military officer on full pay. These persons act as the receiver's agent and put the salvage in his custody, but they are not entitled to any fees nor are they deprived of any right to salvage by so doing. An examination is also directed to be held, in cases of ships in distress on the coasts of the kingdom, by a wreck receiver, wreck commissioner or his deputy, at the request of the Board of Trade or a justice of the peace, by evidence on oath as to the name and description of ship, name of master, shipowner and owner of cargo, ports to and from which the ship was bound, the occasion of the ship's distress, the services rendered and the like. The act provides as follows for dealing with wreck: Any one finding wreck, if he is the owner of it, must give notice of his having done so to the receiver of the district, and if he is not the owner he must deliver it to that officer as soon as possible, except for reasonable cause, e.g. if, as a salvor, he retains it with the knowledge of the receiver. No articles belonging to a wrecked ship found at the time of the casualty must be taken or kept by any person, whether their owner or not, but must be handed over to the receiver. The receiver taking possession of any wreck must give notice of it, with a description, at the nearest custom-house; and if the wreck is in his opinion worth more than £20, also to Lloyd's. The owner of any wreck in the hands of a receiver must establish his claim to it within a year, and on so doing, and paying all expenses, is entitled to have it restored to him. Where a foreign ship has been wrecked on or near the coast, and any articles forming part of her cargo are found on or near the coast, or are brought into any port, the consular officer of the foreign country to which the ship or cargo belongs is deemed to be the agent for the owner so far as the custody and disposal of the articles is concerned. The receiver may in certain cases, e.g. where the value is small, sell the wreck and hold the proceeds till claimed. The right to unclaimed wreck belongs to the crown, except in places where the crown has granted that right to others. Persons so entitled, such as admirals-vice-admirals are mentioned in the act (sed quaere)lords of manors and the like, are entitled, after giving the receiver notice and particulars of their title, to receive notice from the receiver of any wreck there found. Where wreck is not claimed by an owner within a year after it was found, and has been in the hands of a receiver, it can be claimed by the person entitled to wreck in the place where it was found, and he is entitled to have it after paying expenses and salvage connected with it; if no such person claims it, it is sold by the receiver, and the net proceeds are applied for the benefit of the crown, either for the duchy of Lancaster or the duchy of Cornwall; or if these do not claim it, it goes to the crown. Where the title to unclaimed wreck is disputed, the dispute may be settled summarily as in cases of salvage; either party, if dissatisfied, may within three months after a year since the wreck came into the hands of the receiver proceed in any competent court to establish his title. Delivery of unclaimed wreck by the receiver discharges him from liability, but does not prejudice the title thereto. The Board of Trade has power to purchase rights of wreck. No person exercising admiralty jurisdiction as grantee of wreck may interfere with wreck otherwise than in accordance with the act. Duties are payable on wrecked goods coming into the United Kingdom or Isle of Man as if they had been imported thither; and goods wrecked on their homeward voyage may be forwarded to their original destination, or, if wrecked on their outward voyage, to their port of shipment, on due security being taken for the protection of the revenue. Wreck commissioners may be appointed by the lord chancellor to hold investigations into shipping casualties, to act as judges of courts of survey, and to take examinations in respect of ships in distress. The owner of a wrecked ship, sunk by his negligence in a navigable highway, so as to be an obstruction to navigation, if he retains the ownership of her, is liable in damages to the owner of any other ship which without negligence runs into her. If, however, the owner has taken steps to indicate her position, or the harbour authority at his request has undertaken to do so, no action lies against him for negligence either in rem or in personam. He may, however (whether the sinking was due to his negligence or not), abandon the ship, and can thus free himself from any further liability in respect of her. If he abandons her to any other person-e.g. an underwriter-who pays for her as for a total loss, that person does not become liable for her unless he takes possession or control in any way. Harbour authorities generally have by local statute, as they have by the

general Harbours, Docks and Piers Clauses Act 1847 (if incorporated in their own act), the power of removing the wreck in such a case, and recouping themselves for their expenses from its proceeds. The general act also gives a personal right of action against the owner for any balance of expense over the value of the wreck; but if the owner has abandoned it, and no one else has taken it, neither he nor any one else is liable. A particular or local act (as eg. one of the State of Victoria) may, however, fasten this liability on the person who is owner at the time when the ship is wrecked, and then be cannot free himself of it. A harbour authority is not obliged to remove a wreck because it has power to do so, unless it takes dues from vessels using the harbour where the wreck lies, or in some way warrants that the harbour is safe for navigation, in which case it is under an obligation to do so. Further statutory provision is row made in this respect by the Merchant Shipping Act, which empowers harbour authorities to raise, remove or destroy (and meantime buoy or light), or to sell and reimburse themselves out of the proceeds of any vessel or part of a vessel, her tackle, cargo, equipment and stores, sunk, stranded or abandoned in any water under their control, or any approach thereto, which is an obstruction or danger to ravi gation or lifeboat service. They must first give due notice of such intention, and must allow the owner to have the wreck on his paying the fair market value. The act gives similar powers to lightho authorities, with a provision that any dispute between a harbour and lighthouse authority in this respect is to be determined finally Ex the Board of Trade. Provision is also made by statute for the türk. of bodies cast on shore from the sea by wreck or otherwise within the limits of parishes, or, in extra-parochial places, by the parish, offices or constables at the cost of the county; and lords of manors entitied to wreck may defray part of the cost of burial of bodies cast up within the manor, as evidence of their right of wreck.

The method of dealing with wreck outside territorial waters (which does not come within the scope of the act) is governed by the previcas general law relating to droits of admiralty. The Board of Trade, as receiver-general, in its instructions to receivers, directs that wreck picked up at sea out of the limits of the United Kingdom, or brought to it by British ships, is to be taken possession of by the recer and held by him on behalf of the owners, or, if the owners do not claim it, on behalf of the crown. Derelict ships picked up at sea outr territorial limits and brought into British ports must be delivered to the receiver and kept by him until the owner can be found (but not longer than a year and a day). Wreck picked up out of tertarial limits by a foreign ship need not be interfered with by the receiver unless upon application by a party interested. For the receivers rights with respect to property in distress and its liability to sauge,

see SALVAGE.

By an act of 1896 it is the duty of the master of a British ship to report to Lloyd's agent, or to the secretary of Lloyd's, ary foating derelict ship which he may fall in with at sea. Under the Merchant Shipping Act, it is a felony to take wreck found in territorials to a foreign port, and it is punishable by fine to interfere with a wreck. The receiver has power, by means of a search warrant fran a justice, to search for wreck which he has reason to believe is encealed. By the general criminal law in Scotland plundering wreck is punishable at common law; and in England and Ireland it is a felay to plunder or steal any wreck or part thereof, to destroy any and or part thereof, to prevent or impede any person on board a wreck from saving himself, and to exhibit any false signal with the inter of endangering any ship, or to do anything tending to the immediet loss or destruction of a ship for which no other punishment s provided.

AUTHORITIES.-Du Cange, Glossarium, tit. “ Wreckem "; ChiefJustice Hale, De jure maris; Hargrave, Tracts (London, 1787, Palmer, Law of Wreck, Law Tracts (London, 1843); Marson. Select Pleas of Admiralty, Selden Society (London, 1892 and 18-7) Records of the Admiralty and of the High Court of Admiralty, Poor Record Office (London); Victoria County History, Corme all, and other seaboard counties; Maritime History, by M. Oppenheim (1906, &c.. Board of Trade Instructions as to Wreck and Salvage (London) (R. G. M.; G. G. P.

WREDE, KARL PHILIPP, PRINCE VON (1767-1838), Bavarian field-marshal, was born at Heidelberg on the 29th of April 1767, and educated for the career of a civil official under the Palatinate government, but on the outbreak of the campole of 1799 he raised a volunteer corps in the Palatinate and was made its colonel. This corps excited the mirth of the mi drilled Austrians with whom it served, but its colonel soon brought it into a good condition, and it distinguished itself during Kray's retreat on Ulm. At Hohenlinden Wrede commanded one of the Palatinate infantry brigades with credit, and after the pear of Lunéville he was made lieutenant-general in the Bavarian army, which was entering upon a period of reforms. Wrate soon made himself very popular, and distinguished inse in opposing the Austrian invasion of 1805. The Bavarians wet for several years the active allies of Napoleon, and Wrede was

engaged in the campaign against Prussia, winning especial distinction at Pultusk. But the contemptuous attitude of the French towards the Bavarian troops, and accusations of looting against himself, exasperated the general's fiery temper, and both in 1807 and in 1809 even outward harmony was only maintained by the tact of the king of Bavaria. In the latter year, under Lefebvre, Wrede conducted the rearguard operations on the Isar and the Abens, commanded the Bavarians in the bitter Tirolese war, was wounded in the decisive attack at Wagram, and returned to Tirol in November to complete the subjection of the mountaineers. Napoleon made him a count of the Empire in this year. But after a visit to France, recognizing that Napoleon would not respect the independence of the Rhine states, and that the empire would collapse under the emperor's ambitions, he gradually went over to the anti-French party in Bavaria, and though he displayed his usual vigour in the Russian campaign, the retreat convinced him that Napoleon's was a losing cause and he left the army. At first his resignation was not accepted, but early in 1813 he was allowed to return to Bavaria to reorganize the Bavarian army. But he had no intention of using that army on Napoleon's side, and when the king of Bavaria resolved at last to join Napoleon's enemies, Wrede's army was ready to take the field. In concert with Schwarzenberg Wrede threw himself across Napoleon's line of retreat from Germany at Hanau, but on the 30th of October he was driven off the road with heavy losses. Next year, after recovering from a dangerous wound, he led a corps in the invasion of France, and supported Blücher's vigorous policy. In 1815 the Bavarians took the field but were not actively engaged. After Waterloo, Wrede, who had been made a prince in 1814, played a conspicuous part in Bavarian politics as the opponent of Montgelas, whom he succeeded in power in 1817, and in 1835 he was made head of the council of regency during the king's absence. He died on the 12th of December 1838. See lives by Riedel (1844) and Heilmann (1881).

WREN, SIR CHRISTOPHER (1632-1723), English architect, the son of a clergyman, was born at East Knoyle, Wiltshire, on the 20th of October 1632; he entered at Wadham College, Oxford, in 1646, took his degree in 1650, and in 1653 was made a fellow of All Souls. While at Oxford Wren distinguished himself in geometry and applied mathematics, and Newton, in his Principia, p. 19 (ed. of 1713), speaks very highly of his work as a geometrician. In 1657 he became professor of astronomy at Gresham College, and in 1660 was elected Savilian professor of astronomy at Oxford. It is, however, as an architect that Wren is best known, and the great fire of London, by its destruction of the cathedral and nearly all the city churches, gave Wren a unique opportunity. Just before the fire Wren was asked by Charles II. to prepare a scheme for the restoration of the old St Paul's. In May 1666 Wren submitted his report and designs (in the All Souls collection), for this work; the old cathedral was in a very ruinous state, and Wren proposed to remodel the greater part, as he said, “after a good Roman manner," and not, "to follow the Gothick Rudeness of the old Design." According to this scheme only the old choir was left; the nave and transepts were to be rebuilt after the classical style, with a lofty dome at the crossing-not unlike the plan eventually carried out.

In September of the same year (1666) the fire occurred, and the old St Paul's was completely gutted. From 1668 to 1670 attempts were being made by the chapter to restore the ruined building; but Dean Sancroft was anxious to have it wholly rebuilt, and in 1668 he had asked Wren to prepare a design for a wholly new church. This first design, the model for which is preserved in the South Kensington Museum, is very inferior to what Wren afterwards devised. In plan it is an immense rotunda surrounded by a wide aisle, and approached by a double portico; the rotunda is covered with a dome taken from that of the Pantheon in Rome; on this a second dome stands, set on a lofty drum, and this second dome is crowned by a tall spire. But the dean and chapter objected to the absence of a structural choir, nave and aisles, and wished to follow the medieval cathedral arrangement. Thus, in spite of its having

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been approved by the king, this design was happily abandonedmuch to Wren's disgust; and he prepared another scheme with a similar treatment of a dome crowned by a spire, which in 1675 was ordered to be carried out. Wren apparently did not himself approve of this second design, for he got the king to give him permission to alter it as much as he liked, without showing models or drawings to any one, and the actual building bears little resemblance to the approved design, to which it is very superior in almost every possible point. Wren's earlier designs have the exterior of the church arranged with one order of columns; the division of the whole height into two orders was an immense gain in increasing the apparent scale of the whole, and makes the exterior of St Paul's very superior to that of St Peter's in Rome, which is utterly dwarfed by the colossal size of the columns and pilasters of its single order. The present dome and the drum on which it stands, masterpieces of graceful line and harmonious proportion, were very important alterations from the earlier scheme. As a scientific engineer and practical architect Wren was perhaps more remarkable than as an artistic designer. The construction of the wooden external dome, and the support of the stone lantern by an inner cone of brickwork, quite independent of either the external or internal dome, are wonderful examples of his constructive ingenuity. The first stone of the new St Paul's was laid on the 21st of June 1675; the choir was opened for use on the 2nd of December 1697; and the last stone of the cathedral was set in 1710.

Wren also designed a colonnade to enclose a large piazza forming a clear space round the church, somewhat after the fashion of Bernini's colonnade in front of St Peter's, but space in the city was too valuable to admit of this. Wren was an enthusiastic admirer of Bernini's designs, and visited Paris in 1665 in order to see him and his proposed scheme for the rebuilding of the Louvre. Bernini showed his design to Wren, but would not let him copy it, though, as he said, he "would have given his skin " to be allowed to do so.

After the destruction of the city of London Wren was employed to make designs for rebuilding its fifty burnt churches, and he also prepared a scheme for laying out the whole city on a new plan, with a series of wide streets radiating from a central space. Difficulties arising from the various ownerships of the ground prevented the accomplishment of this scheme.

Among Wren's city churches the most noteworthy are St Michael's, Cornhill; St Bride's, Fleet Street, and St Mary-le-Bow, Cheapside, the latter remarkable for its graceful spire; and St Stephen's, Walbrook, with a plain exterior, but very elaborate and graceful interior. In the design of spires Wren showed much taste and wonderful power of invention. He was also very judicious in the way in which he expended the limited money at his command; he did not fritter it away in an attempt to make the whole of a building remarkable, but devoted it chiefly to one part or feature, such as a spire or a rich scheme of internal decoration. Thus he was in some cases, as in that of St James's, Piccadilly, content to make the exterior of an almost barnlike plainness.

The other buildings designed by Wren were very numerous. Only a few of the principal ones can be mentioned:-the Custom House, the Royal Exchange, Marlborough House, Buckingham House, and the Hall of the College of Physicians-now destroyed; others which exist are at Oxford, the Sheldonian theatre, the Ashmolean museum, the Tom Tower of Christ Church, and Queen's College chapel; at Cambridge, the library of Trinity College and the chapel of Pembroke, the latter at the cost of Bishop Matthew Wren, his uncle. The western towers of Westminster Abbey are usually attributed to Wren, but they were not carried out till 1735-1745, many years after Wren's death, and there is no reason to think that his design was used. Wren (D.C.L. from 1660) was knighted in 1673, and was elected president of the Royal Society in 1681. He was in parliament for many years, representing Plympton from 1685, Windsor from 1689, and Weymouth from 1700. He occupied the post of surveyor of the royal works for fifty years, but by a shameful cabal was dismissed from this office a few years before his death.

He died in 1723, and is buried under the choir of St Paul's; on a tablet over the inner north doorway is the well-known epitaph-Si monumentum requiris, circumspice.

For further information the reader should consult the Parentalia, published by Wren's grandson in 1750, an account of the Wren family and especially of Sir Christopher and his works; also the two biographies of Wren by Elmes and Miss Phillimore; Milman, Annals of St Paul's (1868); and Longman, Three Cathedrals dedicated to St Paul in London (1873), pp. 77 seq. See also Clayton, Churches of Sir C. Wren (1848-1849); Taylor, Towers and Steeples of Wren (London, 1881); Niven, City Churches (London, 1887), illustrated with fine etchings; A. H. Mackmurdo, Wren's City Churches (1883); A. Stratton, The Life, Work and Influence of Sir Christopher Wren (1897); Lena Milman, Sir Christopher Wren (1908). In the library of All Souls at Oxford are preserved a large number of drawings by Wren, including the designs for almost all his chief works, and a fine series showing his various schemes for St Paul's Cathedral. (J. H.M.)

WREN (O. Eng. wránna, Mid. Eng. wrenne; Icel. rindill), the popular name for birds of the Passerine family Troglodytidae, of which the best known example is Troglodytes parvulus, the little brown bird-with its short tail, cocked on high-inquisitive and familiar, that braves the winter of the British Islands, and even that of the European continent. Great interest is taken in this bird throughout all European countries, and, though in Britain comparatively few vernacular names have been applied to it, two of them-" jenny" or "kitty-wren "-are terms of endearment. M. Rolland records no fewer than 139 local names for it in France; and Italy, Germany and other lands are only less prolific. Many of these carry on the old belief that the wren was the king of birds, a belief connected with the fable that once the fowls of the air resolved to choose for their leader that one of them which should mount highest. This the eagle seemed to do, and all were ready to accept his rule, when a loud burst of song was heard, and perched upon him was seen the wren, which unseen had been borne aloft by the giant. The curious association of this bird with the Feast of the Three Kings, on which day in S. Wales, or, in Ireland and in the S. of France, on or about Christmas Day, men and boys used to "hunt the wren," addressing it in a song as "the king of birds," is remarkable.

The better known forms in the United States are the housewren, common in the eastern states; the winter-wren, remarkable for its resonant and brilliant song; the Carolina-wren, also a fine singer, and the marsh-wren, besides the cactus wrens and the cañon-wrens of the western states.

Wrens have the bill slender and somewhat arched: their food consists of insects, larvae and spiders, but they will also take any small creatures, such as worms and snails, and occasionally eat seeds. The note is shrill. The nest is usually a domed structure of ferns, grass, moss and leaves, lined with hair or feathers, and from three to nine eggs are produced, in most of the species white. The headquarters of the wrens are in tropical America, but they reach Greenland in the N. and the Falkland Islands in the S. Some genera are confined to the hills of tropical Asia, but Troglodytes, the best known, ranges over N. and S. America, Asia and Europe.

The Troglodytidae by no means contain all the birds to which the name wren is applied. Several of the Sylviinae (of. Warbler) bear it, especially the beautiful little golden-crested wren (cf. Kinglet) and the group commonly known in Britain as "willow-wrens forming the genus Phylloscopus. Three of these are habitual summervisitants. The largest, usually called the wood-wren, P. sibilatrix, is more abundant in the N. than in the S. of England, and chiefly frequents woods of oak or beech. It has a loud and peculiar song, like the word twee, sounded very long, and repeated at first slowly, but afterwards more quickly, while at uncertain intervals comes another note, which has been syllabled as chea, uttered about three times in succession. The willow-wren proper, P. trochilus, is in many parts of Great Britain the commonest summer-bird, and is the most generally dispersed. The third species, P. collybita or minor (frequently but most wrongly called Sylvia rufa or P. rufus), commonly known as the chiffchaff, from the peculiarity of its constantly repeated two-noted cry, is very numerous in the S. and W. of England, but seems to be scarcer N. These three species make their nest upon or very close to the ground, and the building is always domed. Hence they are commonly called " oven-birds," and occasionally, from the grass used in their structure," hay-jacks," a name common to the white-throat (q.v.) and its allies, (A. N.).

WRESTLING (O. Eng. wrestlian), a sport in which two persons strive to throw each other to the ground. It is one of the most primitive and universal of sports. Upon the walls of the temple tombs of Beni Hasan, near the Nile, are sculptured many hundred scenes from wrestling matches, depicting practically all the bolts and falls known at the present day, thus proving that wresting was a highly developed sport at least 3000 years before the Christian era. As the description of the bout between Odysseas and Ajax in the 23rd book of the Iliad, and the evolutions of the classic Greek wrestlers, tally with the sculptures of Beri Hasan and Nineveh, the sport may have been introduced into Greece from Egypt or Asia. In Homer's celebrated description of the match between Ajax and Odysseus the two champions were any a girdle, which was, however, not used in the classic Greek games. Neither Homer nor Eustathius, who also minutely depicted the battle between Ajax and Odysseus, mentions the use of cl which, however, was invariable at the Olympic games, whee wrestling was introduced during the 18th Olympiad. The Greek wrestlers were, after the application of the oil, rubbed with fine sand, to afford a better hold.

Wrestling was a very important branch of athletics in the Greek games, since it formed the chief event of the peniciklon, a quintuple games (see GAMES, CLASSICAL). All holds were allowed, even strangling, butting and kicking. Crushing the fingers was used especially in the pancration, a combination of wrestling and boxing. Wrestlers were taught to be graceful in all their move ments, in accordance with the Greek ideas of aesthetics. The were two varieties of Greek wrestling, the rán épén, or upries wrestling, which was that generally practised, and the ener (Kúdiois, lucta volutatoria) or squirming contest after the cotestants had fallen, which continued until one acknowledge. defeat.. It was this variety that was employed in the poncratim, The upright wrestling was very similar to the modern catch-as catch-can style. In this three falls out of five decided a mat A variation of this style was that in which one of the contestants stood within a small ring and resisted the efforts of his adversary to pull him out of it. Other local varieties existed in the different provinces. The most celebrated wrestler of ancient times was Milo of Crotona (c. 520 B.C.), who scored thirty-two victories in the different national games, six of them at Olympia. Gres athletic sports were introduced into Rome in the last quarter of the 2nd century B.C., but it never attained to the popalamy that it enjoyed in Greece.

Among the Teutonic peoples wrestling, at least as a methes of fighting, was of course always known; how popular it had become as a sport during the middle ages is proved by the voluminous literature which appeared on the subject after the invention of printing, the most celebrated work being the Rings Kunst of Fabian von Auerswald (1539). Albrecht Dürer max 119 drawings illustrating the different holds and falls in vogar in the 15th and 16th centuries. These singularly resembled those used in the Greek games, even to certain brutal tricks, which, however, were considered by the German masters as not park liglich (friendly) and were not commonly used. Wrestling was adopted by the German Turnvereine as one of their exeruses. but with the elimination of tripping and all holds below the 245. At present the most popular style in Europe is the so-caland Graeco-Roman. 1

In Switzerland and some of the Tirolese valleys a kid d wrestling flourishes under the name of Schwingen (swinging The wrestlers wear schwinghosen or wrestling-breeches, wh stout belts, on which the holds are taken. The first man doưn loses the bout. In Styria, wrestlers stand firmly on both feet with right hands clasped. When the word is given each tries ta push or pull the other from his stance, the slightest movement of a foot sufficing to lose.

The popularity of wrestling has survived in many Ame countries, particularly in Japan, where the first match record 4 took place in 23 B.C., the victor being Sukune, who has ever since been regarded as the tutelary deity of wrestlers. In the 8th century the emperor Shômu made wrestling one of the features of the annual harvest "Festival of the Five Grains, "

the victor being appointed official referee and presented with a | called "chips," those most important in the "Cumberland and fan bearing the legend, "Prince of Lions." In 858 the throne Westmorland or "North Country" style being the "backof Japan was wrestled for by the two sons of the emperor heel," in which a wrestler gets a leg behind his opponent's heel Buntoku, and the victor, Koreshito, succeeded his father under on the outside; the "outside stroke," in which after a sudden the name of Seiwa. Imperial patronage of wrestling ceased in twist of his body to the left the opponent is struck with the left 1175, after the war which resulted in the establishment of the foot on the outside of his ankle; the "hank," or lifting the Shogunate, but continued to be a part of the training of the opponent off the ground after a sudden turn, so that both fall samurai or military caste. About 1600, professional wrestling together, but with the opponent underneath; the "inside again rose to importance, the best men being in the employ of click," a hank applied after jerking the opponent forward, the the great daimios or feudal nobles. It was, nevertheless, still pressure then being straight back; the "outside click," a backkept up by the samurai, and eventually developed into the heel applied by a wrestler as he is on the point of being lifted peculiar combination of wrestling and system of doing bodily from the ground-it prevents this and often results in overinjury called ju-jutsu (q..), which survives with wrestling setting the opponent; the "cross-buttock," executed by getting as a separate though allied art. The national championships one's hip underneath the opponent's, throwing one's leg across were re-established in 1624, when the celebrated Shiganosuke both his, lifting and throwing him; the "buttock," in which won the honour, and have continued to the present day. The one's hip is worked still further under that of the opponent, who Japanese wrestlers, like those of India, lay much stress upon is then thrown right over one's back; the "hipe" or "hype," weight and are generally men of great bulk, although surprisingly executed by lifting the opponent, and, while swinging him to light on their feet. They form a gild which is divided into several the right, placing the left knee under his right leg and carrying ranks, the highest being composed of the joshiyori, or elders, it as high as possible before the throw; the "swinging hipe,' in whose hands the superintendence of the wrestling schools in which the opponent is swung nearly or quite round before and tournaments lies, and who in feudal times used to rank next the hipe is applied; and the "breast-stroke," which is a sudden to the samurai. The badges of the three highest ranks are double twist, first to one side and then to the other, followed damask aprons richly embroidered. Every public wrestler must by a throw. have passed through a thorough course of instruction under one of the joshiyori and have undergone numerous practical tests. The wrestling takes place in a ring 12 ft. in diameter, the wrestlers being naked but for a loin-cloth. At the command of the referee the two adversaries crouch with their hands on the ground and watch for an opening. The method is very similar to that of the ancient Greeks and the modern catch-as-catch-can style, except that a wrestler who touches the ground with any part of his person except the feet, after the first hold has been taken, loses the bout.

Indian wrestling resembles that of Japan in the great size of its exponents or Pulwans, and the number and subtlety of its attacks, called penches. It is of the "loose" order, the men facing each other nude, except for a loin-cloth, and manoeuvring warily for a hold. Both shoulders placed on the ground simultaneously constitute a fall.

In Great Britain wrestling was cultivated at a very early age, both Saxons and Celts having always been addicted to it, and English literature is full of references to the sport. On St James's and St Bartholomew's days special matches took place throughout England, those in London being held in St Giles's Field, whence they were afterwards transferred to Clerkenwell. The lord mayor and his sheriffs were often present on these occasions, but the frequent brawls among the spectators eventually brought public matches into disrepute. English monarchs have not disdained to patronize the sport, and Henry VIII. is known to have been a powerful wrestler.

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It was inevitable, in a country where the sport was so ancient and so universal, that different methods of wrestling should grow up. It is likely that the "loose " style, in which the contestants took any hold they could obtain, generally prevailed throughout Great Britain until the close of the 18th century, when the several local fashions became gradually coherent; but it was not until well into the 19th that their several rules were codified. Of these the Cumberland and Westmorland" style, which prevails principally in the N. of England (except Lancashire) and the S. of Scotland, is the most important. In this the wrestlers stand chest to chest, each grasping the other with locked hands round the body with his chin on the other's right shoulder. The right arm is below and the left above the adversary's. When this hold has been firmly taken the umpire gives the word and the bout proceeds until one man touches the ground with any part of his person except his fect, or he fails to retain his hold, in either of which cases he loses. When both fall together the one who is underneath, or first touches the ground, loses. If both fall simultaneously side by side, it is a "dog-fall," and the bout begins anew. The different manœuvres used in British wrestling to throw the adversary are XXVIII 14*

In the "Cornwall and Devon" or "West Country" style the men wrestle in stout, loosely cut linen jackets, the hold being anywhere above the waist or on any part of the jacket. A bout is won by throwing the opponent on his back so that two shoulders and a hip, or two hips and a shoulder (three points), shall touch the ground simultaneously. This is a difficult matter, since ground wrestling is forbidden, and a man, when he feels himself falling, will usually turn and land on his side or face. Many of the "chips" common to other styles are used here, the most celebrated being the "flying mare," in which the opponent's left wrist is seized with one's right, one's back turned on him, his left elbow grasped with the left hand and he is then thrown over one's back, as in the buttock. Until comparatively recently there was a difference between the styles of Cornwall and Devon, the wrestlers of the latter county having worn heavily-soled shoes, with which it was legitimate to belabour the adversary's shins. In 1826 a memorable match took place between Polkinhorne, the Cornish champion, and the best wrestler of Devon, Abraham Cann, who wore "kicking-boots of an appalling pattern." Polkinhorne, however, encased his shins in leather, and the match was eventually drawn.

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The "Lancashire" style, more generally known as catchas-catch-can," is practised not only in Lancashire and the adjacent districts, but throughout America, Australia, Turkey and other countries. It is the legitimate descendant and representative of the ancient Greek sport and of the wrestling of the middle ages. A bout is won when both shoulders of one wrestler touch the floor together. No kicking, striking or other foul practices are allowed, but theoretically every hold is legitimate. Exceptions are, however, made of the so-called strangle-holds, which are sufficiently described by their designation, and any hold resulting in a dislocation or a fracture. This style contains practically all the manœuvres known to other methods, and in its freedom and opportunity for a display of strategy, strength and skill, is the most preferable. A fall, though invariably begun standing, is nearly always completed on the ground (mat). The holds and "chips" are so numerous and complicated as to make anything but an elaborate description inadequate. The best book on the subject is the Handbook of Wrestling by Hugh F. Leonard (1897).

In Scotland a combination of the Cumberland and catch-ascatch-can styles has attained some popularity, in which the wrestlers begin with the North Country hold, but continue the bout on the ground should the fall not be a clean one with two shoulders down.

In Ireland the national style called "collar and elbow" (in America, "back-wrestling"), from the holds taken by the

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two hands. The man loses, any part of whose person, except the feet, touches the ground.

The style mostly affected by the professional wrestlers of Europe at the present day is the Graeco-Roman (falsely so called, since it bears almost no resemblance to classic wrestling), which arose about 1860 and is a product of the French wrestling schools. It is a very restricted style, as no tripping is allowed, nor any hold below the hips, the result being that the bouts, which are contested almost entirely prone on the mat, are usually tediously long. British and American wrestlers, being accustomed to their own styles, are naturally at a disadvantage when wrestling under Graeco-Roman rules.

WREXHAM (Welsh Gwrecsam, in the Anglo-Saxon Chronicle Wrightesham), a market town and parliamentary and municipal borough of Denbighshire, N. Wales, 11 m. S.S.W. of Chester, with stations on the Great Western railway, and on the Great Central railway, 202 m. from London. Pop. (1901) 14,966. "One of the seven wonders of Wales" is St Giles's church, of the 14th, 15th and 16th centuries, with a panelled tower of several stages erected between 1506 and 1520, and containing ten famous bells cast (1726) by Rudhall; the interior is Decorated, and has two monuments by Roubilliac to the Myddletons. Wrexham is the seat of the Roman Catholic bishop of Menevia, whose diocese includes all Wales except Glamorganshire. The endowed free school was established in 1603. The markets and fairs are good, and the ales, mills (corn and paper) and tanneries locally famous. Brymbo Hall, in the neighbourhood, is said to have been built from a design by Inigo Jones, as were probably Gwydyr chapel (1633) and the Conwy bridge (1636), both at Llanrwst. Erddig Hall was noted for its Welsh MSS. Near Wrexham, but in a detached portion of Flintshire, to the S.E., is Bangor-is-coed (Bangor yn Maclor), the site of the most ancient monastery in the kingdom, founded before 180; some 1200 monks were slain here by Ethelfrith of Northumbria, who also spoiled the monastery. Bangor-is-coed was probably Antoninus's Bovium, and the Banchorium of Richard of Cirencester. Wrightesham was of Saxon origin, and lying E. of Offa's Dyke, was yet reckoned in Mercia. It was given (with Bromfield and Yale, or Iâl) by Edward I. to Earl Warenne. WRIGHT, CARROLL DAVIDSON (1840-1909), American statistician, was born at Dunbarton, New Hampshire, on the 25th of July 1840. He began to study law in 1860, but in 1862 enlisted as a private in a New Hampshire volunteer regiment. He became colonel in 1864, and served as assistant-adjutantgeneral of a brigade in the Shenandoah Valley campaign. He was admitted to the New Hampshire bar after the war, and in 1867 became a member of the Massachusetts and United States bars. From 1872 to 1873 he served in the Senate of Massachusetts, and from 1873 to 1878 he was chief of the Massachusetts Bureau of Statistics of Labor. He was U.S. commissioner of labour from 1885 to 1905, and in 1893 was placed in charge of the Eleventh Census. In 1894 he was chairman of the commission which investigated the great railway strike of Chicago, and in 1952 was a member of the Anthracite Strike Commission. He was honorary professor of social economics in the Catholic university of America from 1895 to 1904; in 1900 became professor of statistics and social economics in Columbian (now George Washington) University, from 1900 to 1901 was university lecturer on wage statistics at Harvard, and in 1903 was a member of the special committee appointed to revise the labour laws of Massachusetts. In 1902 he was chosen president of Clark College, Worcester, Mass., where he was also professor of statistics and social economics from 1904 until his death. Dr Wright was president of the American Association for the Advancement of Science in 1903, and in 1907 received the Cross of the Legion of Honour for his work in improving industrial conditions, a similar honour having been conferred upon him in 1906 by the Italian government. He died on the 20th of February 1909.

His publications include The Factory System of the United States (1880); Relation of Political Economy to the Labor Question (1882); History of Wages and Prices in Massachusetts, 1752–1883 (1885);

The Industrial Evolution of the United States (1887); Outlier of Practical Sociology (1899); Battles of Labor (1906); and numerous pamphlets and monographs on social and economic topics.

WRIGHT, CHAUNCEY (1830-1875), American philosopher and mathematician, was born at Northampton, Mass., on the 20th of September 1830, and died at Cambridge, Mass., on the 12th of September 1875. In 1852 he graduated at Harvard, and became computer to the American Ephemeris and Nostire! Almanac. He made his name by contributions on mathematial and physical subjects in the Mathematical Monthly. He scon, however, turned his attention to metaphysics and psychology, and for the North American Review and later for the National he wrote philosophical essays on the lines of Mill, Darwin and Spencer. In 1870-71 he lectured on psychology at Harvard. Although, in general, he adhered to the evolution theory, he was a free lance in thought. Among his essays may be mes tioned The Evolution of Self-Consciousness and two articles published in 1871 on the Genesis of Species. Of these, the former endeavours to explain the most elaborate psychical activities of men as developments of elementary forms of conscicus processes in the animal kingdom as a whole; the latter is a defence of the theory of natural selection against the attacks of St George Mivart, and appeared in an English edition on the suggestion of Darwin. From 1863 to 1870 he was secretary and recorder to the American Academy of Arts and Sciences. and in the last year of his life he lectured on mathematical physics at Harvard.

His essays were collected and published by C. E. Norton in 1977. and his Letters were edited and privately printed at Cambridge. Mass., in 1878 by James Bradley Thayer."

WRIGHT, JOSEPH (1734-1797), styled Wright of Derby, English subject, landscape and portrait painter, was born it Derby on the 3rd of September 1734, the son of an attomey, who was afterwards town-clerk. Deciding to become a painter. he went to London in 1751 and for two years studied under Thomas Hudson, the master of Reynolds. After painting portraits for a while at Derby, he again placed himself for fites months under his former master. He then settled in Derby, and varied his work in portraiture by the production of the subjects seen under artificial light with which his name is chiefly associated, and by landscape painting. He married in 1773, and in the end of that year he visited Italy, where he remained till 1775. While at Naples he witnessed an eruption of Vesuvius, which formed the subject of many of his subsequent pictures. On his return from Italy he established himself at Bath as a portrait-painter; but meeting with little encouragement be returned to Derby, where he spent the rest of his life. He was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy, of which he was clected an associate in 1781 and a full member in 1784 He however, declined the latter honour on account of a slight which he believed that he had received, and severed his official connexion with the Academy, though he continued to contribute to the exhibitions from 1783 till 1794. He died at Derby on the 29th of August 1797. Wright's portraits are frequently defective in drawing, and without quality or variety of handling, whe their flesh tints are often hard. He is seen at his best in his subjects of artificial light, of which the "Orrery” (1766), dhe property of the corporation of Derby, and the " Air-pamp (1768), in the National Gallery, are excellent examples. Hs "Old Man and Death" (1774) is also a striking and individual production. An exhibition of Wright's works was brought together at Derby in 1883, and twelve of his pictures were shor in the winter exhibition of the Royal Academy in 1856. His biography, by William Bemrose, was published in 1885. WRIGHT, SILAS (1795-1847), American political leader. was born at Amherst, Mass., on the 24th of May 1795. He graduated at Middlebury College, Vermont, in 1815, was admitted to the bar in 1819, and began practice at Canton in northern New York. He was appointed surrogate of St Law County in 1820, and was successively a member of the state Senate in 1824-1826, a member of the national House of Repre sentatives in 1827-1829, comptroller of the state in 1829-183,

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