The Art of Reading PoetryFarrar & Rinehart, Incorporated, 1941 - 519 pages I do not believe that poetry is mysterious or esoteric. It is for all who can read, who can call words, who have rhythm enough, by nature, so that a jazz orchestra sets feet and hands in motion. Likewise, this invitation is to all. But it is, especially, invitation to those regretfully convinced that poetry is not for them, and to those who think they prefer the unequivocating directness of prose. It is invitation to labor, and after labor, entrance upon pleasure "not to be chang'd by place or time," the peculiar pleasure which poetry is. - Invitation to reading. |
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Page 11
Earl Richardson Knapp Daniels. reader . When good poets write to themselves , they do it without a declaration of independence . They write as though with an obligation upon themselves , as poets , to be clear in communicating with their ...
Earl Richardson Knapp Daniels. reader . When good poets write to themselves , they do it without a declaration of independence . They write as though with an obligation upon themselves , as poets , to be clear in communicating with their ...
Page 24
... write poetry because they had a prose , not a poetic , attitude toward life . When reduced to anything like intelligibility , this surprising statement probably means little more than that the poets to be discarded were different from ...
... write poetry because they had a prose , not a poetic , attitude toward life . When reduced to anything like intelligibility , this surprising statement probably means little more than that the poets to be discarded were different from ...
Page 433
... write to a metronome , or by counting on their fingers . They write with ears trained through long experience to acute sensitivity to values of tone and stress THE POEM AS MUSIC 433.
... write to a metronome , or by counting on their fingers . They write with ears trained through long experience to acute sensitivity to values of tone and stress THE POEM AS MUSIC 433.
Contents
OUTLINE FOR A DEFENSE | 1 |
LIONS IN THE PATH | 23 |
THE READING AND THE READINGS OF THE POEM | 39 |
Copyright | |
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ALFRED LORD TENNYSON ANDREW MARVELL ballad beauty beginning bird breath caesuras contrast conventional dark dead death detail Don John doth dream earth effect emotion English experience eyes fairy fear feeling garden hand hath heard heart heaven human idea imagery imagination John Donne JOHN KEATS John of Austria Keats kind King lady light lines live look meaning Milton mind Miss mood moon mother never night nightingale o'er once pattern phrase pleasure poem poet poet's prayer prose reader reading poetry rest rhythm rime rose seems Shakespeare ship sing Sir Patrick Spens sleep song sonnet soul sound spirit stars story stress Suggestions sweet syllables tears thee thine things Thomas Rymer thou thought Three Ravens tree turn verse voice WILLIAM BUTLER YEATS WILLIAM SHAKESPEARE WILLIAM WORDSWORTH wind words