The love of arts lies cold and dead In Halifax's urn; And not one Muse of all he fed, Has yet the grace to mourn. My friends, by turns, my friends confound, Betray, and are betray'd: Poor Yr's fold for fifty pound, Why make I friendships with the great, Or follow girls feven hours in eight?- Still idle, with a busy air, The gayeft valetudinaire, Solicitous for others ends, Though fond of dear repose; Luxurious lobster-nights, farewell, Adieu to all but Gay alone, Whofe foul, fincere and free, Loves all mankind, but flatters none, And fo may starve with me. POPE. A DIALOGUE. IN CE my old friend is SIN As to be minister of state, To grow the worse for growing greater; EPIGRAM. Engraved on the Collar of a Dog, which I gave to his Royal Highness. I Am his Highness' dog at Kew; Pray tell me, Sir, whose dog are you? EPIGRAM. Occafioned by an Invitation to Court. IN the lines that you fent, are the Mufes and Graces; You've the Nine in your wit, and the Three in your faces. A FRAG A FRAGMENT. WHAT are the falling rills, the pendant fhades, The morning bowers, the evening colonnades, But foft recesses for th' uneafy mind To figh unheard in, to the paffing wind! So the ftruck deer, in fome fequefter'd part, VERSES left by Mr. POPE, on his lying in the fame Bed which WILMOT the celebrated Earl of Rochester slept in, at Adderbury, then belonging to the Duke of Argyle, July 9th, 1739. ITH no poetic ardour fir'd WI I prefs the bed where Wilmot lay; That here he lov'd, or here expir'd, Begets no numbers grave, or gay. But in thy roof, Argyle, are bred Such flames as high in patriots burn, CON 31 36 40 WINTER, the fourth Pastoral, MESSIAH, a Sacred Eclogue in imitation of Virgil's Pollio, WINDSOR-FOREST, Ode on St. Cecilia's Day, Two Choruses to the Tragedy of Brutus, Ode on Solitude, The dying Chriftian to his Soul, Effay on Criticism, The Rape of the Lock, 47 57 77 82 85 86 91 127 157 160 162 164 183 201 JANUARY Elegy to the Memory of an Unfortunate Lady, Prologue to Mr. Addison's Tragedy of Cato, Epilogue to Jane Shore, SAPPHO to PHAON, an Epiftle from Ovid, The TEMPLE of FAME, |