Rhyming dictionary for the use of young poets, with an essay on English versification [by T. Smibert].1852 |
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Page 6
... employed constituted the leading feature of their versification . The heroic ( hexameter or six - foot ) line of Homer and Virgil , for instance , might either have thirteen syllables , or seventeen , or some intermediate num- ber . The ...
... employed constituted the leading feature of their versification . The heroic ( hexameter or six - foot ) line of Homer and Virgil , for instance , might either have thirteen syllables , or seventeen , or some intermediate num- ber . The ...
Page 10
... employed in reference to poetry , indicates the length of line and general syllabic structure of peculiar kinds and forms of verse . Thus , a piece written in lines of eight syllables is said to be in the octo - syllabic measure , and ...
... employed in reference to poetry , indicates the length of line and general syllabic structure of peculiar kinds and forms of verse . Thus , a piece written in lines of eight syllables is said to be in the octo - syllabic measure , and ...
Page 15
... employed the measure now under consideration very beautifully in his Ode to Fancy , and gave it variety chiefly by changing the ordinary rhythm . Thus " Sit thou by the ingle , when The sear faggot blazes bright , Spirit of a winter's ...
... employed the measure now under consideration very beautifully in his Ode to Fancy , and gave it variety chiefly by changing the ordinary rhythm . Thus " Sit thou by the ingle , when The sear faggot blazes bright , Spirit of a winter's ...
Page 16
... employed by Scott , Moore , Byron , Campbell , and others , in the com- position of poetical romances . Byron spoke of the octo - syllabic verse as having about it " a fatal facility " -meaning , that , from its simple brevity of ...
... employed by Scott , Moore , Byron , Campbell , and others , in the com- position of poetical romances . Byron spoke of the octo - syllabic verse as having about it " a fatal facility " -meaning , that , from its simple brevity of ...
Page 22
... employed in lyrics and occasional pieces , the rhythm has usually been thus regulated : - " Oh ! breathe not his name , let it sleep in the shade , Where , cold and unhonoured , his relics are laid ; Sad , silent , and dark be the tears ...
... employed in lyrics and occasional pieces , the rhythm has usually been thus regulated : - " Oh ! breathe not his name , let it sleep in the shade , Where , cold and unhonoured , his relics are laid ; Sad , silent , and dark be the tears ...
Other editions - View all
Rhyming Dictionary for the Use of Young Poets, with an Essay on English ... Thomas Smibert No preview available - 2018 |
Rhyming Dictionary for the Use of Young Poets, with an Essay on English ... Thomas Smibert No preview available - 2017 |
Common terms and phrases
able rhymes accent and pause adjectives Allowable rhymes Anglo-Saxon ante-penultimate artist bards beauty Ben Jonson blank verse Byron ciples of verbs composed consonant diction Dictionary double rhymes Dryden elisions employed English poetry English verse epic example expressive exquisite fect rhymes force give harmony heroic hexameter instance Keats language last syllable lowable rhymes melody Milton Moore Muses mute Nature Nearly perfect rhymes nouns and third observed octo-syllabic measure open vowels participles of verbs passage penultimate persons singular present pieces plurals of nouns poems poetical composition poets Pope preceding preterites and parti preterites and participles pronounced rendered rhymes perfectly rhythm rule Shakspere short syllables single rhymes singular of verbs singular present tense song song-writer sound and sense stanza tense of verbs terminations third persons singular thou thought unaccented verbs in ake verbs in ow versification vowels words ending Wordsworth writing
Popular passages
Page 23 - O'er bog or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
Page 12 - Haste thee, nymph, and bring with thee Jest, and youthful Jollity, Quips, and cranks,* and wanton* wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.
Page 10 - Lay a garland on my hearse, Of the dismal yew; Maidens, willow branches bear; Say I died true: My love was false, but I was firm From my hour of birth. Upon my buried body lie Lightly, gentle earth!
Page 22 - Bacchus' blessings are a treasure, Drinking is the soldier's pleasure: Rich the treasure, Sweet the pleasure, Sweet is pleasure after pain. Soothed with the sound, the king grew vain; Fought all his battles o'er again, And thrice he routed all his foes, and thrice he slew the slain!
Page 25 - Sheer o'er the crystal battlements: from morn To noon he fell, from noon to dewy eve, A summer's day; and with the setting sun Dropt from the zenith, like a falling star, On Lemnos, the Aegean isle.
Page 18 - The quality of mercy is not strained; It droppeth, as the gentle rain from heaven Upon the place beneath ; it is twice blessed ; It blesseth him that gives, and him that takes...
Page 25 - Alas! what boots it with incessant care To tend the homely slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Page 19 - I know a bank whereon the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with lush woodbine, With sweet musk-roses, and with eglantine...
Page 13 - Over thy decent shoulders drawn. Come, but keep thy wonted state, With even step and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...