Reading The Virginian in the New West

Front Cover
Melody Graulich, Stephen Tatum
U of Nebraska Press, 1. jaan 2003 - 300 pages
Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.
 

Contents

Pictures Facing Words
1
Wisters Omniscience and Omissions
39
White for a Hundred Years
72
Indigenous Whiteness and Wisters Invisible Indians
89
Wister and the Great Railway Strike of 1984
113
Early Film Versions of The Virginian
126
History Gender and the Origins of the Classic Western
148
The Cowboy and the Gaucho
175
What If Wister Were a Woman?
198
Wisters Retreat from Hybridity
213
Wister and the New West
233
Afterword
255
Bibliography
273
Contributors
291
Index
295
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About the author (2003)

Melody Graulich is a professor of English at Utah State University and the editor of Western American Literature. Stephen Tatum teaches in the Department of English at the University of Utah and is the author of Inventing Billy the Kid: Visions of the Outlaw in America, 1881?1981 and Cormac McCarthy?s All the Pretty Horses: A Reader?s Guide.

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