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THE

HE Occafion of publishing these Imitations was the Clamour rais'd on fome of my Epistles. An Answer from Horace was both more full, and of more Dignity, than any I could have made in my own perfon; and the Example of much greater Freedom in fo eminent a Divine as Dr. Donne, feem'd a proof with what indignation and contempt a Christian may treat Vice or Folly, in ever fo low, or ever fo high a Station. Both these Authors were acceptable to the Princes and Minifters under whom they lived. The Satires of Dr. Donne I verfified, at the defire of the Earl of Oxford while he was Lord Treasurer, and of the Duke of Shrewsbury, who had been Secretary of State; neither of whom look'd upon a Satire on Vicious Courts as any Reflection on those they serv'd in. And indeed there is not in the world a greater error, than that which Fools are fo apt to fall into, and Knaves with good reafon to encourage, the miftaking a Satirist for a Libeller; whereas to a true Satirift nothing is fo odious as a Libeller, for the fame reafon as to a man truly virtuous nothing is fo hateful as a Hypocrite.

Uni aequus Virtuti atque ejus Amicis.

P.

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Firft Satire of the Second Book

O F

HORACE

IMITATE D.

WHOEVER expects a Paraphrase of Horace, or a faithful Copy of his genius, or manner of writing, in thefe IMITATIONS, will be much difappointed. Our Author uses the Roman Poet for little more than his canvas: And if the old design or colouring chance to fuit his purpose, it is well: if not, he employs his own, without fcruple or ceremony. Hence it is, he is fo frequently ferious where Horace is in jeft; and at eafe where Horace is disturbed. In a word, he regulates his movements no further on his Original, than was neceffary for his concurrence, in promoting their common plan of Reformation of manners.

Had it been his purpose merely to paraphrase an ancient Satirift he had hardly made choice of Horace; with whom, as a Poet, he held little in common, befides a comprehenfive knowledge of life and manners, and a certain curious felicity of expreffion, which confifts in using the fimpleft language with dignity, and the moft ornamented, with eafe. For the reft, his harmony and strength of numbers, his force and fplendor of colouring, his gravity and fublime of fentiment, would have rather led him to another model. Nor was his temper less unlike that of Horace, than his talents. What Horace would only fmile at, Mr. Pope would treat with the grave severity of Perfius: And what Mr. Pope would ftrike with the cauflic lightning of Juvenal, Horace would content himself in turning into ridicule.

If it be asked then, why he took any body at all to imitate, he has informed us in his Advertisement. To which we may add, that this fort of Imitations, which are of the nature of Parodies, adds reflected grace and splendor on original wit. Befides, he deem'd it more modeft to give the name of Imitations to his Satires, than, like Defpreaux, to give the name of Sasi tires to Imitations.

SATIRA PRIMA.

HORATIUS. TREBATIUS.

HORATIUS.

SUNT quibus in Satira videar nimis acer, et ultra

Legem tendere

opus ; b fine nervis altera, quidquid

Compofui, pars effe putat, fimilefque meorum
Mille die verfus deduci poffe. Trebati,

Quid faciam? praescribe.

d

T. Quiefcas.

C

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VER. 3. Scarce to wife Peter-Chartres] It has been commonly obferved of the English, that a Rogue never goes to the Gallows without the pity of the Spectators, and their parting curfes on the rigour of the Laws that brought him thither: and this has been as commonly afcribed to the good nature of the people. But it is a mistake. The true caufe is their hatred, and envy of power. Their compaffion for Dunces and Scoundrels (when exposed by great writers to public contempt, either in justice to the age, or in vindication of their own Characters) has the fame fource. They cover their envy to a fuperior genius, in lamenting the feverity of his Pen.

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