 | 1816 - 592 lehte
...— " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production of the correspondent...sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour, he found to... | |
 | Samuel Taylor Coleridge - 1816 - 82 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1828 - 374 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen ink, and paper,... | |
 | 1829 - 558 lehte
...external senses," " if that, indeed, can be called composition, in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The tale is extraordinary, but Kubla Khan is much more valuable on another account, which is, that... | |
 | Samuel Taylor Coleridge - 1829 - 400 lehte
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1831 - 628 lehte
...that indeed can be called composition in which nil the image« rose UP b<Ttir<j him an things, witli n awaAinp h« appeared to himself to have a •li-iimrt recollection of tlie whole, and taking his pen.... | |
 | Robert Macnish - 1834 - 310 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen, ink, and paper... | |
 | Samuel Taylor Coleridge - 1835 - 320 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
 | 1837 - 1032 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as... | |
 | Samuel Taylor Coleridge - 1838 - 634 lehte
...composition in which nil the images rose up before him as tkiitgr, with a parallel production of tbe correspondent expressions, without any sensation, or consciousness of effort. On awaking he appeared to himself to have t distinct recollection of the whole, and taking his pen. ink, and paper,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
