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" Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith, and the designs of the artists who competed with him for the honour of executing the doors of San Giovanni were submitted to the judgment of goldsmiths... "
On Colour: And on the Necessity for a General Diffusion of Taste Among All ... - Page 211
by John Gardner Wilkinson - 1858 - 408 lehte
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The Penny Cyclop¿dia of the Society for the Diffusion of Useful ..., 4. köide

1835 - 566 lehte
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...are to be seen ' even in the doors of San Giovanni.' Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith,...
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The Penny Cyclopaedia of the Society for the Diffussion of Useful ..., 4. köide

1835 - 550 lehte
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...errors, he adds, are to be seen ' even in the doors of SaruGiovanni.' Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his...
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A General View of the Fine Arts, Critical and Historical

Miss Ludlow - 1851 - 486 lehte
...horizon, according to the laws of perspective ; in consequence of which " we often see," says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors...
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A General View of the Fine Arts: Critical and Historical, with an Introduction

Daniel Huntington - 1838 - 492 lehte
...horizon, according to the laws of perspective ; in consequence of which " we often see," says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors...
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Arts and Sciences: Or, Fourth Division of "The English Encyclopedia", 1. köide

Charles Knight - 1866 - 532 lehte
...solid plane. Even Vasari, who wrote when this mixed style of rilievo was generally practised, remarks the absurdity of representing the plane on which the...are to be seen "even in the doors of San Giovanni." Lorenzo Ghiberti, like other Florentine sculptors, first learnt the practice of his art from a goldsmith,...
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The English Cyclopaedia

1866 - 520 lehte
...often see," he snys, "the point of the foot of a figure, standing with its bnck to the speetr-tor, touching the middle of the leg." owing to the rapid...be seen '•' even in the doors of San Giovanni." Lorenzo Ghiberti, like other Florentine sculptors, first learnt tho practice of his art from n goldsmith,...
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Walks in Florence, 1. köide

Susan Horner, Joanna B. Horner - 1873 - 524 lehte
...solid plane. Even Vasari, who wrote when this mixed style of relievo was generally practised, remarked the absurdity of representing the plane on which the...are to be seen even in the doors of San Giovanni' " (pp. 121, 123).* Ghiberti received ample acknowledgment of his great work in the honours bestowed...
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Walks in Florence, 1. köide

Susan Horner, Joanna B. Horner - 1873 - 534 lehte
...solid plane. Even Vasari, who wrote when this mixed style of relievo was generally practised, remarked the absurdity of representing the plane on which the...are to be seen even in the doors of San Giovanni' " (pp. 121, 123).* Ghiberti received ample acknowledgment of his great work in the honours bestowed...
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Manual of the Fine Arts: Critical and Historical

1875 - 486 lehte
...horizon, according to the laws of perspective ; in consequence of which " we often see} ' says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such errors," he adds, " are to be seen even in the doors...
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Manual of the Fine Arts, Critical and Historical: With an Introduction by D ...

1879 - 512 lehte
...horizon, according to the laws of perspective ; in consequence of which " we often see, ' says he, " the point of the foot of a figure, standing with its...spectator, touching the middle of the leg, owing to the right ascent or foreshortening of the ground. Such er'ors," he adds, " are to be seen even in the doors...
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