A Contradiction Still: Representations of Women in the Poetry of Alexander PopeManchester University Press, 1998 - 245 pages This text offers a critique of the views concerning gender and gender roles expressed or implied in Pope's poetry. Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a discussion of Pope's poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. |
From inside the book
Results 1-3 of 65
Page 73
... lines ( 185-190 ) not only emphasise that for Lodona it is a hunt for life or death , but they also demonstrate that this is a race between near - equals . They are only near - equals , though , and her strength is a means of making it ...
... lines ( 185-190 ) not only emphasise that for Lodona it is a hunt for life or death , but they also demonstrate that this is a race between near - equals . They are only near - equals , though , and her strength is a means of making it ...
Page 81
... line 422 when the poetic voice says , ' Here cease thy Flight ' ( 423 ) . The poem concludes with the following lines : ' Enough for me , that to the listning Swains / First in these Fields I sung the Sylvan Strains ' ( 433-434 ) . These ...
... line 422 when the poetic voice says , ' Here cease thy Flight ' ( 423 ) . The poem concludes with the following lines : ' Enough for me , that to the listning Swains / First in these Fields I sung the Sylvan Strains ' ( 433-434 ) . These ...
Page 189
... lines 56-58 the breeze is explained as the breath of the aerial figures : The lucid Squadrons round the Sails repair : Soft o'er the Shrouds Aerial Whispers breathe , That seem'd but Zephyrs to the Train beneath . Line 58 adds the ...
... lines 56-58 the breeze is explained as the breath of the aerial figures : The lucid Squadrons round the Sails repair : Soft o'er the Shrouds Aerial Whispers breathe , That seem'd but Zephyrs to the Train beneath . Line 58 adds the ...
Contents
Contradiction and the Epistle to a Lady | 10 |
Contradiction the double standard and its critics | 39 |
Violence and representation in WindsorForest | 67 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Alexander Pope ambiguity ambivalent Ambrose Philips analysis Aphra Behn argues argument Ariel artistic attitude behaviour Belinda Brean Hammond century character claim complex concerning contemporary context contradiction conventional couplet creativity Criticism culture demonstrates describes Dryden Dulness Dunciad eighteenth eighteenth-century Eliza Haywood Eloisa to Abelard Empson Epistle Essay Essay on Criticism example expression fact femininity feminism feminist figure gender Heloise human idea ideology implies important intellectual interpretation John Dryden Lady language Lauretis literary Lock logical London Lord Hervey male masculinity meaning metaphor mind mock-heroic moral narrative nature object Oxford particular passage pastoral performative contradiction physical poem poem's poet poetic political Pope's poetry position produces question Rape readers recognise reference relation representation rhetorical role satire says Scriblerian sense sexual social society stereotypes structure sylphs theory tion Umbriel understanding violence voice William Empson Windsor-Forest woman women