Reconstructing Criticism: Pope's Essay on Criticism and the Logic of DefinitionBucknell University Press, 2003 - 226 pages This study aims to bring the modern theory of literary criticism, and Pope's 'Essay on Criticism' of 1711, into a more productive and intersting association than critical-historical structures have generally allowed. Smallwood marks out in current terms and in depth the specialized theoretial and aesthetic problem of defining criticism. He recognizes that criticism, no more than literature or art, cannot be finally codified or defined, but insists on the need for clarity in the exposition of criticism's purposes and a fuller consciousness of a common community of practice available to audiences outside the academic fold. Affirming the unfailing currency and utility of the term criticism as new languages have taken over the critical domain, or have sought to replace or abolish literature, Smallwood distinguishes between the normative definitions that are everywhere apparent in modern theory of criticism, and the advantages to conceptual comprehension achieved by Pope's poetic idea of criticism in the 'Essay'. |
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Page 39
... creative works ; but while " [ t ] he critical power is of a lower rank than the creative , " not all epochs , as Arnold concedes , are equally rich in creation . Sometimes the genius of an age is the genius of criticism . The business ...
... creative works ; but while " [ t ] he critical power is of a lower rank than the creative , " not all epochs , as Arnold concedes , are equally rich in creation . Sometimes the genius of an age is the genius of criticism . The business ...
Page 40
... creative " ( 30 ) . But Eliot may be nearer to Arnold than he is prepared to acknowledge at this point . As we have seen , Arnold wrote that criticism feeds the current of creative literature . The difference seems rather that Eliot was ...
... creative " ( 30 ) . But Eliot may be nearer to Arnold than he is prepared to acknowledge at this point . As we have seen , Arnold wrote that criticism feeds the current of creative literature . The difference seems rather that Eliot was ...
Page 164
... creative artists two views have arisen . One is that criticism composed by creators of art implies a special author- ity we may with great difficulty disregard : the understanding that , in Gil- bert Ryle's phrase , is “ a part of ...
... creative artists two views have arisen . One is that criticism composed by creators of art implies a special author- ity we may with great difficulty disregard : the understanding that , in Gil- bert Ryle's phrase , is “ a part of ...
Contents
Abbreviations | 11 |
Defining LiteratureDefining Criticism | 29 |
On Definition and Debate | 49 |
Copyright | |
15 other sections not shown
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Common terms and phrases
academic aesthetic Alexander Pope argued argument Arnold Barthes Cambridge canon chapter cism Collingwood concept of criticism context creative criticism's cultural studies D. H. Lawrence debate Deconstruction defining criticism definition of criticism Definition of Literature discourse discussion distinction Dryden Ellis English Essay on Criticism essence evaluative criticism example exist Ezra Pound F. R. Leavis Faber and Faber fiction Function of Criticism historian history of criticism I. A. Richards idea of criticism interpretation introduction John kind language literary criticism Literary Theory logical London Mason meaning ment Modern Criticism nature object Oxford University Press past philosophy poem poet poetical poetry political Pope's Essay Poststructuralism practice Preface present principle problem propositions question R. G. Collingwood reader relation reprinted Routledge Samuel Johnson seems seen sense Shakespeare social statements suggest T. S. Eliot Terry Eagleton textual theorists things thought tion valuation Wellek Widdowson word writes
References to this book
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib No preview available - 2005 |