Reconstructing Criticism: Pope's Essay on Criticism and the Logic of DefinitionBucknell University Press, 2003 - 226 pages This study aims to bring the modern theory of literary criticism, and Pope's 'Essay on Criticism' of 1711, into a more productive and intersting association than critical-historical structures have generally allowed. Smallwood marks out in current terms and in depth the specialized theoretial and aesthetic problem of defining criticism. He recognizes that criticism, no more than literature or art, cannot be finally codified or defined, but insists on the need for clarity in the exposition of criticism's purposes and a fuller consciousness of a common community of practice available to audiences outside the academic fold. Affirming the unfailing currency and utility of the term criticism as new languages have taken over the critical domain, or have sought to replace or abolish literature, Smallwood distinguishes between the normative definitions that are everywhere apparent in modern theory of criticism, and the advantages to conceptual comprehension achieved by Pope's poetic idea of criticism in the 'Essay'. |
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Page 143
... Poetic " Idea of Criticism " Understanding is a part of knowing how . The knowledge that is required for understanding intelligent performances of a specific kind is some degree of competence in performances of that kind . The competent ...
... Poetic " Idea of Criticism " Understanding is a part of knowing how . The knowledge that is required for understanding intelligent performances of a specific kind is some degree of competence in performances of that kind . The competent ...
Page 168
... poet and as critic . The passage is a preamble to the Essay's simultaneously detached yet intensely personal close and to the self - portrait of the poet , who is " Averse alike to Flatter , or Offend " ( line 703 ) . The relation here ...
... poet and as critic . The passage is a preamble to the Essay's simultaneously detached yet intensely personal close and to the self - portrait of the poet , who is " Averse alike to Flatter , or Offend " ( line 703 ) . The relation here ...
Page 183
... poets is only the faculty of poets ; and not of all poets , but the best . " See Timber or Discoveries : Made Upon Men and Matter ( 1641 ; reprint , London : Dent , 1951 ) , 123. René Wellek has surveyed the European history of the term ...
... poets is only the faculty of poets ; and not of all poets , but the best . " See Timber or Discoveries : Made Upon Men and Matter ( 1641 ; reprint , London : Dent , 1951 ) , 123. René Wellek has surveyed the European history of the term ...
Contents
Abbreviations | 11 |
Defining LiteratureDefining Criticism | 29 |
On Definition and Debate | 49 |
Copyright | |
15 other sections not shown
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Common terms and phrases
academic aesthetic Alexander Pope argued argument Arnold Barthes Cambridge canon chapter cism Collingwood concept of criticism context creative criticism's cultural studies D. H. Lawrence debate Deconstruction defining criticism definition of criticism Definition of Literature discourse discussion distinction Dryden Ellis English Essay on Criticism essence evaluative criticism example exist Ezra Pound F. R. Leavis Faber and Faber fiction Function of Criticism historian history of criticism I. A. Richards idea of criticism interpretation introduction John kind language literary criticism Literary Theory logical London Mason meaning ment Modern Criticism nature object Oxford University Press past philosophy poem poet poetical poetry political Pope's Essay Poststructuralism practice Preface present principle problem propositions question R. G. Collingwood reader relation reprinted Routledge Samuel Johnson seems seen sense Shakespeare social statements suggest T. S. Eliot Terry Eagleton textual theorists things thought tion valuation Wellek Widdowson word writes
References to this book
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib No preview available - 2005 |