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In spite of inconstancy, pride, or disdain.

I see and I love, and the bliss I enjoy
No rival can lessen nor envy destroy.

My mistress so fair is, no language or art
Can describe her perfection in every part;
Her mien's so genteel,

With such ease she can kill,

Each look with new passion she captures my heart.

Her smiles, the kind message of love from her eyes,

When she frowns 'tis from others her flame to disguise.

Thus her scorn or her spite

I convert to delight,

As the bee gathers honey wherever he flies.

My vows she receives from her lover unknown,
And I fancy kind answers although I have none.
How blest should I be

If our hearts did agree,

Since already I find so much pleasure alone.
I see and I love, and the bliss I enjoy
No rival can lessen nor envy destroy.

WISDOM.

(FROM "BEAUTY'S TRIUMPH.")

Why should short-liv'd mortals strive to gain
Gilded cares and glorious pain?
'Tis not power's boundless sway,
Nor all the guards that wait upon
A shining throne,

Can drive intruding care away.
Wisdom's sacred power can bind
The raging passions of the mind;
He that has attain'd to that

Is the emperor of fate.

Rough tempests that make kingdoms roll
Against his breast in vain do beat,
They cannot shake his fixed soul,
But must like vanquished waves retreat;
No restless wish, no trembling fear,
Or fierce despair can enter there;
Vain love, cold death, or hasty time,
Have neither darts nor wings for him.
When life forsakes his quiet breast
He does but change his place of rest;-
'Tis he, 'tis he alone is blest.

GEORGE FARQUHAR.

BORN 1678 DIED 1707.

[George Farquhar, "the fine and noble- | his acquaintance with Wilks, by whom he was minded, and, in every sense, the honourable after a time induced to write his first comedy, Farquhar one in the shining list of geniuses Love and a Bottle. This appeared in 1698, that adorn the biographical page of Ireland," and being full of sprightly dialogue and busy was born in Londonderry in the year 1678. scenes, was well received. In 1700, the year In that city he received the rudiments of of jubilee at Rome, he produced his Constant education, and before leaving it he began to Couple; or, Trip to the Jubilee, in which Wilks display the bent of his genius. In 1694 he made a great hit as Sir Harry Wildair. Toentered at Trinity College in Dublin, and forwards the end of the year he visited Holland, a time made great progress in his studies. probably in fulfilment of the duties of a lieuHowever, being of a volatile nature, the steady-tenancy which the Earl of Orrery obtained for going life of the university grew distasteful to him, and having formed an intimacy with the celebrated actor Wilks, he obtained a situation in the Dublin theatre. Being handsome in person and gifted with ability, his appearance was successful, and he would doubtless have remained an actor all his life were it not for an accident which made him forswear the histrionic art. In playing the part of Guyomar in Dryden's Indian Emperor, by an act of forgetfulness he wounded a brother tragedian so grievously that his life was only just saved after great anxiety.

Having now no further business in Dublin, he went over to London, where he renewed

him. While there he wrote home two very facetious letters descriptive of what he had seen, as well as a set of verses on the same subject.

In 1701, on his return to England, the great success of Trip to the Jubilee caused him to write a continuation, which appeared under the title of Sir Harry Wildair; or, The Sequel of the Trip to the Jubilee. In this Mrs. Oldfield made a great success, while Wilks added to his reputation as the Sir Harry Wildair of married life. In 1702 he published his Miscellanies; or, Collections of Poems, Letters, and Essays, in which may be found many "humorous and pleasant sallies of fancy;" and in

1703 he produced The Inconstant, a play whichever was written-buoyant without inanity;

has ever since kept the stage, and which was acted only the other day in London with great success. The play was not, however, at first very well received, owing, it is said, to the sudden springing up among the public of a taste for opera. This year also he was entrapped into marriage by a female adventurer, who became madly enamoured of him. Though immediately after marriage he found how he had been deceived, though embarrassments closed round him, and though a family quickly appeared to add to his troubles, he never once upbraided his wife, but after the first shock of discovery treated her with kindness and affection.

Early in 1704 he produced, with the assistance of a friend, the farce called The Stage Coach, which was well received. In 1705 his comedy The Twin Rivals appeared, and in 1706 the comedy called The Recruiting Officer. His last work was The Beaux' Stratagem, which he did not live to see produced, and which is perhaps the best of all his works. Oppressed with debt, he applied to a courtier friend for assistance; but the creature advised him to sell his commission, and pledged his honour that in a short time he would find him another. Farquhar followed the advice; but when he applied to his patron to help him to a new commission the worthy declared that he had forgotten his promise. This disappointment so preyed upon his mind that it broke him down completely, and in April, 1707, while The Beaux Stratagem was being rehearsed at Drury Lane, he sank into his last sleep in the twenty-ninth year of his age. After his death the following letter to Wilks was found among his papers:-"] "Dear Bob, I have not anything to leave thee to perpetuate my memory but two helpless girls; look upon them sometimes, and think of him that was to the last moment of his life, thine, George Farquhar." It is pleasant to know that Wilks did his utmost for the widow and two girls, all of whom, however, fell into pitiful circumstances before their death.

Farquhar is far more natural than Congreve or any other of his rivals; "his style is pure and unaffected, his wit natural and flowing, his plots generally well contrived." His works were so successful in book form, as well as on the stage, that within fifty years of his death they had gone through more than eight editions. "The character of Wildair appears to me," says Cowden Clarke, "one of the most naturally buoyant pieces of delineation that

reckless, wanton, careless, irrepressibly vivacious, and outpouring, without being obstreperous and oppressive, and all the while totally free from a tinge of vulgarity in the composition." "Farquhar's gentlemen are Irish gentlemen," he continues, "frank, generous, eloquent, witty, and with a cordial word of gallantry always at command.” Hazlitt had a high opinion of Farquhar, who, he says, "has humour, character, and invention in common with the other (Vanbrugh), with a more unaffected gaiety and spirit of enjoyment which sparkles in all he does. . . . His incidents succeed one another with rapidity, but without premeditation; his wit is easy and spontaneous; his style animated, unembarrassed, and flowing; his characters full of life and spirit." "In short," says Cowden Clarke, "he was a delightful writer, and one to whom I should sooner recur for relaxation and entertainment-and without after cloying and disgust-than to any of the school of which he may be said to be the last."]

A WOMAN OF QUALITY.1

A Lady's Apartment. Two Chambermaids

enter.

First Cham. Are all things set in order? The toilette fixed, the bottles and combs put in form, and the chocolate ready?

Second Cham. "Tis no great matter whether they be right or not; for right or wrong we shall be sure of our lecture; I wish, for my part, that my time were out.

First Cham. Nay, 'tis a hundred to one but we may run away before our time be half expired; and she's worse this morning than ever. Here she comes.

LADY LUREWELL enters.

Lure. Ay, there's a couple of you indeed! But how, how in the name of negligence could you two contrive to made a bed as mine was last night; a wrinkle on one side and a rumple on t'other; the pillows awry and the quilt askew!-I did nothing but tumble about, and fence with the sheets all night along.-Oh! my bones ache this morning as if I had lain all night on a pair of Dutch stairs-Go, bring

This and the following extract are from Sir Harry Wildair.

chocolate.-And, d'ye hear? Be sure to stay an hour or two at least-Well! these English animals are so unpolished! I wish the persecution would rage a little harder, that we might have more of these French refugees among us.

The Maids enter with chocolate.

These wenches are gone to Smyrna for this chocolate. And what made you stay so long?

Cham. I thought we did not stay at all,

madam.

Lure. Only an hour and half by the slowest clock in Christendom-And such salvers and

dishes too! The lard be merciful to me! what have I committed to be plagued with such animals?—Where are my new japan salvers?-Broke, o'my conscience! All to pieces, I'll lay my life on't.

Cham. No, indeed, madam, but your husband

Lure. How? husband, impudence! I'll teach you manners. [Gives her a box on the ear.] Husband! Is that your Welsh breeding? Ha'n't the colonel a name of his own?

Cham. Well, then, the colonel. He used them this morning, and we ha'n't got them

since.

Lure. How! the colonel use my things! How dare the colonel use anything of mine? -But his campaign education must be pardoned And I warrant they were fisted about among his dirty levee of disbanded officers? Faugh! The very thoughts of them fellows with their eager looks, iron swords, tied-up wigs, and tucked-in cravats, make me sick as death. Come, let me see.-[Goes to take the chocolate, and starts back.] Heavens protect me from such a sight! Lord, girl! when did you wash your hands last? And have you been pawing me all this morning with them dirty fists of yours? [Runs to the glass.]-I must dress all over again-Go, take it away, I shall swoon else.-Here, Mrs. Monster, call up my tailor; and d'ye hear? you, Mrs. Hobbyhorse, see if my company be come to cards yet.

The Tailor enters.

Oh, Mr. Remnant! I don't know what ails these stays you have made me; but something is the matter, I don't like them.

Rem. I am very sorry for that, madam. But what fault does your ladyship find?

Lure. I don't know where the fault lies; but in short I don't like them; I can't tell how; the things are well enough made, but I don't like them.

Rem. Are they too wide, madam?
Lure. No.

Rem. Too strait, perhaps?

Lure. Not at all! they fit me very well; but-lard bless me, can't you tell where the fault lies?

Rem. Why, truly, madam, I can't tell.But your ladyship, I think, is a little too

slender for the fashion.

Lure. How! too slender for the fashion, say you?

Rem. Yes, madam! there's no such thing as a good shape worn among the quality: your fine waists are clear out, madam.

Lure. And why did not you plump up my stays to the fashionable size?

I

Rem. I made them to fit you, madam. Lure. Fit me! fit my monkey-What! d'ye think I wear clothes to please myself! Fit me! fit the fashion, pray; no matter for meI thought something was the matter, I wanted quality-air.-Pray, Mr. Remnant, let me have a bulk of quality, a spreading counter. do remember now, the ladies in the apartments, the birth-night, were most of them two yards about. Indeed, sir, if you contrive my things any more with your scanty chambermaid's air, you shall work no more for me.

Rem. I shall take care to please your ladyship for the future. [Exit.

A Servant enters.

Serv. Madam, my master desires

Lure. Hold, hold, fellow; for God's sake hold: if thou touch my clothes with that tobacco breath of thine, I shall poison the whole drawing-room. Stand at the door, pray, and speak.

[Servant goes to the door and speaks. Serv. My master, madam, desires-Lure. Oh, hideous! Now the rascal bellows so loud that he tears my head to pieces.Here, Awkwardness, go take the booby's message and bring it to me.

[Maid goes to the door, whispers, and returns.

Cham. My master desires to know how your ladyship rested last night, and if you are pleased to admit of a visit this morning.

Lure. Ay-why, this is civil.—Tis an insupportable toil though for women of quality to model their husbands to good breeding.

A GENTLEMANLY CANING.

LADY LUREWELL solus.

Enter SIR HARRY WILDAIR.

Sir H. "My life, my soul, my all that heaven can give!—

Lady L. "Death's life with thee; without thee, death to live."

Still brisk and airy, I find, Sir Harry. Sir H. The sight of you, madam, exults my air, and makes joy lighten in my face.

Lady L. Would you marry me, Sir Harry? Sir H. Why, marriage is the devil!—But I will marry you.

Lady L. Your word, sir, is not to be relied on. If a gentleman will forfeit his honour in dealings of business, we may reasonably suspect his fidelity in an amour.

Sir H. My honour in dealings of business! -Why, madam, I never had any business all my life.

Lady L. Yes, Sir Harry; I have heard a very odd story, and am sorry that a gentleman of your figure should undergo the scandal. Sir H. Out with it, madam.

Lady L. Why, the merchant, sir, that transmitted your bills of exchange to you in France complains of some indirect and dishonourable dealings.

Sir H. Who-old Smuggler?

Lady L. Ay, ay, you know him, I find. Sir H. I have some reason, I think. Why, the rogue has cheated me of above £500 within these three years.

Lady L. 'Tis your business, then, to acquit yourself publicly, for he spreads the scandal everywhere.

Sir H. Acquit myself publicly! Here, sirrah.

Enter a Servant.

My coach; I'll drive instantly into the city, and cane the old villain round the Royal Exchange.

Lady L. Why, he is in the house now, sir.
Sir H. What, in this house?
Lady L. Ay, in the next room.

Sir H. Then, sirrah, lend me your cudgel. [Exit Servant. Lady L. Sir Harry, you won't raise a disturbance in the house?

Sir H. Disturbance, madam! No, no; I'll beat him with the temper of a philosopher. Here, Mrs. Parley, show me the gentleman. [Exit with Parley. Lady L. Now shall I get the old monster

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well beaten, and Sir Harry pestered, next term, with bloodsheds, batteries, costs and damages, solicitors and attorneys. And if they don't tease him out of his good humour I'll never plot again. [Exit.

Another Room in the Same House.

Enter ALDERMAN SMUGGLER and SIR
HARRY WILDAIR.

Sir H. Dear Mr. Alderman, I'm your most devoted and humble servant.

Ald. My best friend, Sir Harry, you're welcome to England.

Sir H. I'll assure you, sir, there's not a man in the king's dominions I am gladder to meet, dear, dear Mr. Alderman.

[Bowing very low. Ald. Oh lord, sir, you travellers have the most obliging ways with you.

Sir H. There is a business, Mr. Alderman, fallen out, which you may oblige me infinitely by-I am very sorry that I am forced to be troublesome, but necessity, Mr. Alder

man

Ald. Ay, sir, as you say, necessity-But upon my word, sir, I am very short of money at present; but

Sir H. That's not the matter, sir; I'm above an obligation that way; but the business is, I'm reduced to an indispensable necessity of being obliged to you for a beating. Here, take this cane.

Ald. A beating, Sir Harry! Ha, ha, ha! I beat a knight baronet! An alderman turned cudgel-player! Ha, ha, ha!

Sir H. Upon my word, sir, you must beat me, or I'll beat you; take your choice. Ald. Psha, psha! You jest.

Sir H. Nay, 'tis sure as fate; so, alderman, I hope you'll pardon my curiosity.

[Strikes him.

Ald. Curiosity! Deuce take your curiosity, sir! What d'ye mean?

Sir H. Nothing at all. I'm but in jest, sir.

Ald. Oh! I can take anything in jest; but a man might imagine, by the smartness of the stroke, that you were in downright

earnest.

Sir H. Not in the least, sir (strikes him)— not in the least, indeed, sir.

Ald. Pray, good sir, no more of your jests; for they are the bluntest jests that ever I knew.

Sir H. I heartily beg your pardon, with all my heart, sir. [Strikes him. Ald. Pardon, sir! Well, sir, that is satis

faction enough from a gentleman. But seriously, now, if you pass any more of your jests upon me I shall grow angry.

Sir H. I humbly beg your permission to break one or two more. [Strikes him.

Ald. Oh! lord, sir, you'll break my bones. Are you mad, sir? Murder, felony, manslaughter. [Falls down.

Sir H. Sir, I beg you ten thousand pardons, but I am absolutely compelled to't, upon my honour, sir. Nothing can be more averse to my inclinations than to jest with my honest, dear, loving, obliging friend the alderman.

[Striking him all this while. Alderman tumbles over and over, shakes out his pocket-book on the floor.

Enter LADY LUREWELL, and takes it up.

Lady L. The old rogue's pocket-book; this may be of use. (Aside.) Oh! lord, Sir Harry's murdering the poor old man.

Ald. Oh! dear madam, I was beaten in jest till I am murdered in good earnest.

Lady L. Well, well, I'll bring you off, seigneur frappez, frappez!

Ald. Oh! for charity's sake, madam, rescue a poor citizen.

Lady L. Oh! you barbarous man! Holdhold! frappez plus rudement. Frappez! I wonder you are not ashamed. (Holding Sir H.) A poor reverend honest elder. (Helps Ald. up.) It makes me weep to see him in this condition, poor man! Now, deuce take you, Sir Harry-for not beating him harder. Well, my dear, you shall come at night, and I'll make you amends.

[Here Sir H. takes snuff. Ald. Madam, I will have amends before I leave the place. Sir, how durst you use me thus?

Sir H. Sir?

Ald. Sir, I say that I will have satisfaction. Sir H. With all my heart.

[Throws snuff in his eyes. Ald. Oh! murder, blindness, fire! Oh! madam-madam! get me some water-water

-fire-water!

[Exit with Lady L.

Sir H. How pleasant is resenting an injury without passion! 'Tis the beauty of revenge.

Let statesmen plot, and under business groan,
And settling public quiet, lose their own;
I make the most of life, no hour misspend,
Pleasure's the mean, and pleasure is my end.
No spleen, no trouble, shall my time destroy;
Life's but a span, I'll every inch enjoy.

THE COUNTERFEIT FOOTMAN.

(FROM "THE BEAUX' STRATAGEM.")

SCRUB, a Footman, and ARCHER, a Supposed Footman.

Enter MRS. SULLEN and DORINDA.

[They walk to the opposite side. Mrs. S. drops her fan; Archer runs, takes it up, and gives it to her.

Arch. Madam, your ladyship's fan. Mrs. S. Oh, sir, I thank you. What a handsome bow the fellow made!

Dor. Bow! Why, I have known several footmen come down from London, set up here as dancing-masters, and carry off the best fortunes in the country.

Arch. (Aside.) That project, for aught I Brother know, had been better than ours. Scrub, why don't you introduce me?

Scrub. Ladies, this is the strange gentleman's servant, that you saw at church to-day; I understand he came from London, and so I invited him to the cellar, that he might show me the newest flourish in whetting my knives. Dor. And I hope you have made much of him.

Arch. Oh, yes, madam; but the strength of your ladyship's liquor is a little too potent for the constitution of your humble servant.

Mrs. S. What! then you don't usually drink ale?

Arch. No, madam; my constant drink is tea, or a little wine and water: 'tis prescribed me by the physicians, for a remedy against the spleen.

Scrub. Oh, la! Oh, la! A footman have the spleen!

Mrs. S. I thought that distemper had been only proper to people of quality.

Arch. Madam, like all other fashions it wears out, and so descends to their servants;

though, in a great many of us, I believe, it proceeds from some melancholy particles in the blood, occasioned by the stagnation of

wages.

Dor. How affectedly the fellow talks! How
long, pray, have served
you
your present

master?
Arch. Not long; my life has been mostly
spent in the service of the ladies.

Mrs. S. And, pray, which service do you like best?

Arch. Madam, the ladies pay best; the honour of serving them is sufficient wages; [Exit. there is a charm in their looks that delivers a

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