QUESTIONS. 1. What is the element in this lesson? 2. What the topic? 3. What the principle? 4. Defice movement. 5. Is it a simple or a compound element? 6. What is said of the importance of Movement? 7. What of its improper use? 8 What are the divisions of Movement? 9. Define Moderate Movement. 10. Is it a fixed rate or does it vary with different persons? 11. With what combination will Moderate Movement generally be found? 12. In the expression of what style of thought and feeling should we use Moderate Movement? 13. Why does the selection require Moderate Movement? 14. What elements should be changed in giving the seventh line of the fourth stanza? Why? 15. In the sixth and seventh stanzas what elements should be slightly changed? 1. Send us the Spirit of the Son. 2. See the stars from heaven falling. sight, 3. Soldiers, sailors, seamen, all were lost. 4. Star after star from heaven's high arch shall rush. 5. Sans teeth, sans eyes, sans taste, sans every thing. Slow Movement. Slow Movement may be defined as that rute in which words are uttered but little more than half as rapidly as Moderate Movement. Like the Moderate, it will vary greatly. It gives dignity, gravity, and solemnity to utterance. It can be given with various combinations. EXERCISES IN SLOW MOVEMENT. Low Pitch, Thorough Stress, Moderate Force, Orotund Quality, Effusive Form. 1. The groves were God's first temples. 2. He rests his head upon the lap of earth. 3. O'er all the world a solemn silence steals. Repeat the above sentences several times with 1. Slow Movement, Low Pitch, Median Stress, Moderate Force, Orotund Quality, Effusive Form. 2. Slow Movement, Low Pitch, Thorough Stress, Moderate Force, Pure Tone, Expulsive Form. SLOW MOVEMENT-WHEN USED. Slow Movement is appropriate for the expression of solemn, serious, grave, and devotional thought. The first stanza of the following selection will require the first combination given below; the second, the second combination. In the remaining stanzas it will vary, some lines requiring one, some the other. EXAMPLE: SOLEMNITY, SUBLIMITY, AND DEVOTION. Expulsive Form, Pure Tone, Moderate Force, Thorough Stress, Low Pitch, Slow Movement, Effusive Form, Orotund Quality, Median Stress. God's First Temples. W. C. BRYANT. Ere man learned 1. The groves were God's first temples. That, from the stilly twilight of the place, And from the gray old trunks, that high, in heaven, Should we, in the world's riper years, neglect God's ancient sanctuaries, and adore Only among the crowd, and under roofs That our frail hands have raised? Let me, at least, Here, in the shadow of the ancient wood, Offer one hymn; thrice happy if it find Acceptance in his ear. 2. Father, thy hand 3. 4. Hath reared these venerable columns: thou Didst weave this verdant roof. Thou didst look down All these fair ranks of trees. They in thy sun Here are seen No traces of man's pomp or pride; no silks That run along the summits of these trees In music; thou art in the cooler breath, That, from the inmost darkness of the place, Comes, scarcely felt; the barky trunks, the ground, In the tranquillity that thou dost love, Passes; and yon clear spring, that, 'midst its herbs, Or half the mighty forest, tells no tale Of all the good it does. Thou hast not left Thyself without a witness, in these shades, Of thy perfections. Grandeur, strength, and grace In all the proud old world beyond the deep, 5. 6. 7. Ere wore his crown as loftily as he Wears the green coronal of leaves with which My heart is awed within me when I think Lo! all grow old and die; but see, again, O there is not lost There have been holy men who hid themselves Deep in the woody wilderness, and gave Their lives to thought and prayer, till they outlived |