The Makers of Modern English: A Popular Handbook to the Greater Poets of the CenturyHodder & Stoughton, 1893 - 375 pages |
From inside the book
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Page 8
... marked by a total indifference to nature . It is a clipped and gravelled garden in which the poets of Pope's school walk , never in the fresh fields and true presence of nature . Their treatment of love is as artificial as their ...
... marked by a total indifference to nature . It is a clipped and gravelled garden in which the poets of Pope's school walk , never in the fresh fields and true presence of nature . Their treatment of love is as artificial as their ...
Page 13
... marked was the change effected in poetry . in relation to its human interests . Cowper loved man as well as nature . In this he was the precursor of a great line of great poets . In place of violent THE INTERVAL BEFORE THE DAWN . 13.
... marked was the change effected in poetry . in relation to its human interests . Cowper loved man as well as nature . In this he was the precursor of a great line of great poets . In place of violent THE INTERVAL BEFORE THE DAWN . 13.
Page 50
... marked and touching . He was by all accounts a youth of singular beauty . Mrs. Proctor said , not more finely than truthfully , that his face was like the face of one who had looked upon a glorious sight . It was a delicate and refined ...
... marked and touching . He was by all accounts a youth of singular beauty . Mrs. Proctor said , not more finely than truthfully , that his face was like the face of one who had looked upon a glorious sight . It was a delicate and refined ...
Page 66
... manliness of his nature , and of the robust common- sense and generosity which marked his character . Scott left the field of poetry with honour and dignity but it was only to open a new chapter in 66 THE MAKErs of modern engliISH .
... manliness of his nature , and of the robust common- sense and generosity which marked his character . Scott left the field of poetry with honour and dignity but it was only to open a new chapter in 66 THE MAKErs of modern engliISH .
Page 79
... marked by their sarcastic incisiveness than by their luminous and sorrowful wisdom . In all Coleridge's later utterances the accent of suffering is very pronounced . We feel that , like Dante , he is " a man who has been in hell . " He ...
... marked by their sarcastic incisiveness than by their luminous and sorrowful wisdom . In all Coleridge's later utterances the accent of suffering is very pronounced . We feel that , like Dante , he is " a man who has been in hell . " He ...
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The Makers of Modern English: A Popular Handbook to the Greater Poets of the ... William James Dawson No preview available - 2012 |
Common terms and phrases
admirable Arnold Arthur Hallam artistic beauty breathe Browning Browning's Burns Byron calm charm Coleridge colour criticism death delight despair Divine dreams English poetry excellence expression exquisite faith fame fascination feel force genius glory Guinevere Harriet Martineau heart Hood hope human ideal imagination impulse influence inspiration intellectual intensity John Keats John of Tours Keats Lady of Shalott Lake poets Leigh Hunt less literary literature lived Matthew Arnold medieval melody Memoriam mind modern moral Nature ness never noble noblest Paracelsus passion pathetic patriotism perceive perfect phrase picture poems poet poetic purity qualities reader religious reverence Robert Browning Rossetti Scott seems sense Shelley Shelley's simplicity Sordello sorrow soul Southey spirit splendour strength style sweetness Swinburne sympathy Tennyson theme things Thomas Hood thought tion touch true truth utterance verse vision voice William Morris woman womanhood words Wordsworth writings written wrote
Popular passages
Page 282 - The year's at the spring And day's at the morn; Morning's at seven; The hill-side's dew-pearled; The lark's on the wing; The snail's on the thorn: God's in his heaven — All's right with the world!
Page 132 - In our halls is hung Armoury of the invincible knights of old : We must be free or die, who speak the tongue That Shakespeare spake ; the faith and morals hold Which Milton held.
Page 263 - Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before...
Page 93 - How exquisitely the individual Mind (And the progressive powers perhaps no less Of the whole species) to the external World Is fitted : — and how exquisitely, too — Theme this but little heard of among men — The external World is fitted to the Mind ; And the creation (by no lower name Can it be called) which they with blended might Accomplish : — this is our high argument.
Page 116 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Page 45 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world's slow stain He is secure, and now can never mourn A heart grown cold, a head grown gray in vain; Nor, when the spirit's self has ceased to burn, With sparkless ashes load an unlamented urn.
Page 260 - All we have willed or hoped or dreamed of good shall exist ; Not its semblance but itself; no beauty, nor good nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
Page 133 - Whose powers shed round him in the common strife, Or mild concerns of ordinary life, A constant influence, a peculiar grace; But who, if he be called upon to face Some awful moment to which Heaven has joined Great issues, good or bad for human kind, Is happy as a Lover; and attired With sudden brightness, like a Man inspired...
Page 93 - I, long before the blissful hour arrives, Would chant, in lonely peace, the spousal verse Of this great consummation — and, by words Which speak of nothing more than what we are, Would I arouse the sensual from their sleep Of Death, and win the vacant and the vain To noble raptures...
Page 313 - Brimming, and bright, and large ; then sands begin To hem his watery march, and dam his streams, And split his currents ; that for many a league The shorn and parcell'd Oxus strains along Through beds of sand and matted rushy isles — Oxus, forgetting the bright speed he had In his high mountain- cradle in Pamere...