The Makers of Modern English: A Popular Handbook to the Greater Poets of the CenturyHodder & Stoughton, 1893 - 375 pages |
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... RELIGIOUS POET XXV . TENNYSON'S " IN MEMORIAM . 202 214 224 . 236 · 247 XXVI . ROBERT BROWNING . 270 XXVII . BROWNING'S PHILOSOPHY OF LIFE . 279 XXVIII . THE SPIRIT OF BROWNING'S RELIGION . . 288 XXIX . BROWNING'S ATTITUDE TO ...
... RELIGIOUS POET XXV . TENNYSON'S " IN MEMORIAM . 202 214 224 . 236 · 247 XXVI . ROBERT BROWNING . 270 XXVII . BROWNING'S PHILOSOPHY OF LIFE . 279 XXVIII . THE SPIRIT OF BROWNING'S RELIGION . . 288 XXIX . BROWNING'S ATTITUDE TO ...
Page 19
... religious ; precisely that class which is the strength and pride of Scotland to - day . His father was a man considerably superior to the class in which he moved ; and a strong taste , almost amount- ing to a thirst , for knowledge ...
... religious ; precisely that class which is the strength and pride of Scotland to - day . His father was a man considerably superior to the class in which he moved ; and a strong taste , almost amount- ing to a thirst , for knowledge ...
Page 53
... religious bias in his poetry . He is destitute alike of love to God and enthusiasm for humanity , so far as his poetry is concerned . Byron was never free from the haunting presence of religious problems ; Byron and Shelley were both ...
... religious bias in his poetry . He is destitute alike of love to God and enthusiasm for humanity , so far as his poetry is concerned . Byron was never free from the haunting presence of religious problems ; Byron and Shelley were both ...
Page 54
... religious instincts of his nature . Essentially this is the artist's view of life . The cant of art now is that art exists for its own sake , and has nothing whatever to do with morals . Of this view John Keats was the true , though ...
... religious instincts of his nature . Essentially this is the artist's view of life . The cant of art now is that art exists for its own sake , and has nothing whatever to do with morals . Of this view John Keats was the true , though ...
Page 114
... religious charm which breathes upon us in all the best poems of Wordsworth . It is , in truth , the voice of a great prophet , who speaks words which are for the healing of the nations . We might illustrate these observations by copious ...
... religious charm which breathes upon us in all the best poems of Wordsworth . It is , in truth , the voice of a great prophet , who speaks words which are for the healing of the nations . We might illustrate these observations by copious ...
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The Makers of Modern English: A Popular Handbook to the Greater Poets of the ... William James Dawson No preview available - 2012 |
Common terms and phrases
admirable Arnold Arthur Hallam artistic beauty breathe Browning Browning's Burns Byron calm charm Coleridge colour criticism death delight despair Divine dreams English poetry excellence expression exquisite faith fame fascination feel force genius glory Guinevere Harriet Martineau heart Hood hope human ideal imagination impulse influence inspiration intellectual intensity John Keats John of Tours Keats Lady of Shalott Lake poets Leigh Hunt less literary literature lived Matthew Arnold medieval melody Memoriam mind modern moral Nature ness never noble noblest Paracelsus passion pathetic patriotism perceive perfect phrase picture poems poet poetic purity qualities reader religious reverence Robert Browning Rossetti Scott seems sense Shelley Shelley's simplicity Sordello sorrow soul Southey spirit splendour strength style sweetness Swinburne sympathy Tennyson theme things Thomas Hood thought tion touch true truth utterance verse vision voice William Morris woman womanhood words Wordsworth writings written wrote
Popular passages
Page 282 - The year's at the spring And day's at the morn; Morning's at seven; The hill-side's dew-pearled; The lark's on the wing; The snail's on the thorn: God's in his heaven — All's right with the world!
Page 132 - In our halls is hung Armoury of the invincible knights of old : We must be free or die, who speak the tongue That Shakespeare spake ; the faith and morals hold Which Milton held.
Page 263 - Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before...
Page 93 - How exquisitely the individual Mind (And the progressive powers perhaps no less Of the whole species) to the external World Is fitted : — and how exquisitely, too — Theme this but little heard of among men — The external World is fitted to the Mind ; And the creation (by no lower name Can it be called) which they with blended might Accomplish : — this is our high argument.
Page 116 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Page 45 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world's slow stain He is secure, and now can never mourn A heart grown cold, a head grown gray in vain; Nor, when the spirit's self has ceased to burn, With sparkless ashes load an unlamented urn.
Page 260 - All we have willed or hoped or dreamed of good shall exist ; Not its semblance but itself; no beauty, nor good nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
Page 133 - Whose powers shed round him in the common strife, Or mild concerns of ordinary life, A constant influence, a peculiar grace; But who, if he be called upon to face Some awful moment to which Heaven has joined Great issues, good or bad for human kind, Is happy as a Lover; and attired With sudden brightness, like a Man inspired...
Page 93 - I, long before the blissful hour arrives, Would chant, in lonely peace, the spousal verse Of this great consummation — and, by words Which speak of nothing more than what we are, Would I arouse the sensual from their sleep Of Death, and win the vacant and the vain To noble raptures...
Page 313 - Brimming, and bright, and large ; then sands begin To hem his watery march, and dam his streams, And split his currents ; that for many a league The shorn and parcell'd Oxus strains along Through beds of sand and matted rushy isles — Oxus, forgetting the bright speed he had In his high mountain- cradle in Pamere...