GENERAL INDEX. A ACADEMY.-Academies in England prior to the establishment of the Incorporated Society of Artists-causes of its 193. Establishment of the Royal Academy, i. 187— i. 233. Removal of the Royal Academy to Somerset House, Misunderstauding of Sir Joshua with some of the the advantages of, i. 307, 308. Academy Royal, observations on its foundation, i. 305, 306. Action, the principal requisite in a subject for History-Painting, Affectation, a hateful quality, i. 362, 445. ; ii. 323. contrast to Simplicity, i. 445. Agamemnon. See Timanthes. Albert Durer. See D. Allegorical Painting, defence of, i. 420. Some by Rubens con- not adapted to Christian Churches, ii. 171. 197. Amsterdam, Pictures at, ii. 197. 205.-The Stadthouse. 197.- Anachronisms in Church-pictures, how far excusable, ii. 176. Antique, the model to be copied, ii 268. Antwerp, Pictures at, ii. 156-188. Apelles. Sir Joshua's estimate of the character of Apelles as a Remarks connected with this subject, and with Grecian Apollo, Statue of, criticism on, ii. 9, 10. Drapery of, remarks on, ii. 15. Apostles, Statues of, in St. John Lateran's Church, defects of, Architecture, hints as to the principles of, ii. 74. & seq. Artists.-British Artists of eminence who flourished before the 173. of eminence contemporary with Sir Joshua, i. 169— Artist, the qualifications of, ii. 290. 292. See Study, Imitation, Art.-Art in England, at early periods, exclusively in the hands Character of early British Art, i. 8, 9. Italian Art in the age of Leo the Tenth--its probable Advantages which might have been expected from the in- Works of Art collected by Henry the Eighth in the palace Number of Works of Art in that collection at the period Stimulous given to British Art by the arrival of Rubens Destruction and sale of Works of Art in the royal collec- Revival of Art under Charles the Second and his succes- Effect produced on British Art by the works of Sir Joshua Art.-A relish for the higher excellencies of Art supposed by The grand style of Art, recommended by Sir Joshua, sup- One cannot be engrafted on another, ii. 186. What is the object and intention of them all, i. 379, 380. B Back-ground, in Pictures, rules as to, ii. 282. 335. 336. Barry.-Letter from Sir Joshua to Barry while a student at Part of another letter on the subject of Art, supposed to Hostile feeling of Barry towards Sir Joshua-its pro- His letter to the Marchioness of Thomond on receiving Basso Relievo, improvement of the Moderns in, ii. 17. Beauty, ideal, what; and the notion of it how to be pursued and ii 8. 311. the foundation of, i. 333. 334.; ii. 132, 133. its varieties, i. 335 of form alone, one great excellence in Sculpture, Bellino, Titian's first Master, Anecdotes of, ii. 370. |