« EelmineJätka »
RAFFAELLE, his improvements, in consequence of study.
. . his Dispute of the Sacrament; an instance of
. . his style in Painting, i. 124: ïi. 384.-See
his method of imitating others, i. 168: ii. 89;
his excellence in drawing, and defect in
. compared with Titian, ii. 52.
to what excellence he owes his reputation,
his noble self-confidence, ii. 81.
. his Holy Family, in the Dusseldorp gallery,
anecdotes of, iii. 201.
the reason why his works are not impressive
Rubens's, ii. 227.
See iii. 64,
. a defect in his picture of Achilles, i. 280.
his Susannab, at the Hague, ii. 344. Other
Rembrandt, his pictures at Surgeon's Hall, Amsterdam,
may be considered as belonging either to the
. character of his style, ii. 392.
its advantages, i. 252: iii. 45; 129.
. his birth, i. iv.
his early inclinations to, and essays towards
placed as a pupil to Mr. Hudson, viii.
. his plan of a discourse on the history of his
. the impression made on his mind by the
copies made by him at Rome, xix, & n.
. the method taken by him to discover the
. his Caricatura on Travesty of Raffaelle's
returns to London, xxii.
soon attracts the publick notice by his ex-
several of his most excellent Portraits enu-
commencement of his acquaintance with
REYNOLDS, adyantage of that acquaintance to Sir Joshua
. Mr. Burke's sentiments on that subject, xxxii.
and on Sir Joshua's early acquaintance with
appointed President of the Royal Academy
· reason of his composing his Lectures or Dis-
• an injurious calumny respecting them refuted,
present to him from the Empress of Russia,
number of pieces exhibited by him at the
. his eulogy on Mr. Moser, xlvi-- xlviii, & n.
. his ingenious account of his progress in his
. remarks thereon, lvii--Ix.
account of his painting for the windows in
his landscapes, lxi.
list of his Historical and Miscellaneous Pieces,
. his fondness for the Metropolis, lxiii--lxviii.
his Commentary on Dufresnoy-a supplement
appointed principal Painter to his . Majesty,
REYNOLDS, presented with the freedom of the Painter's
· his prices for painting portraits, lxxv.
compared with Vandyck's, lxxvi.
account of Portraits of himself, and the En-
his acquaintance with Gainsborough, and that
the elegant society at his house, lxxxii; c.
in conjunction with Dr. Johnson, founds the
his simplicity of manners, lxxxi.
his turn for humour, and nice observation of
. his observation of children, lxxxviii.
occasion of his deafness, lxxxviii, &. n.
comparison between him and Lælius, xc-
. his domestick habits, xcvii, &c.
his detestation of modern reformers, cii.
. the last two portraits of gentlemen, painted
the last female portrait, cvi.
REYNOLDS, his will, cxvii, & n.
sale of his pictures, cxviii, & n.
... Dr. J. Warton's encomium on his Discourses,
cxxii, iii, & n.
. in colouring, See iii. and the
. . facility of invention and execution ; his pecu-
his method of painting large piętures, ii. 265, 6;
his particular excellence in farge pictures, ii,
. his style of painting in the Luxemburgh, on
his pictures at Brussels ; at the Unshod Carme-