Shakespeare's Dramatic Art: History and Character of Shakespeare's Plays, 2. köideG. Bell and sons, 1895 |
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Page vi
... RICHARD II • CHAPTER VI . · 201 209 223 CHAPTER VII . HENRY IV . FIRST AND SECOND PARTS 232 CHAPTER VIII . HENRY V. • CHAPTER IX . HENRY VI . FIRST , SECOND AND THIRD PARTS RICHARD III . CHAPTER X. · 250 · 260 275 CHAPTER XI . PAGE ON ...
... RICHARD II • CHAPTER VI . · 201 209 223 CHAPTER VII . HENRY IV . FIRST AND SECOND PARTS 232 CHAPTER VIII . HENRY V. • CHAPTER IX . HENRY VI . FIRST , SECOND AND THIRD PARTS RICHARD III . CHAPTER X. · 250 · 260 275 CHAPTER XI . PAGE ON ...
Page vii
... RICHARD DUKE OF YORK AND · THE TRUE 309 CHAPTER II THE FIRST OF THE CONTENTION AND THE TRUE TRAGEDIE— continued . PERICLES CHAPTER III . CHAPTER IV . 328 346 • 366 THE ARRAIGNMENT OF PARIS . SIR JOHN OLDCASTLE . THE MERRY DEVIL OF ...
... RICHARD DUKE OF YORK AND · THE TRUE 309 CHAPTER II THE FIRST OF THE CONTENTION AND THE TRUE TRAGEDIE— continued . PERICLES CHAPTER III . CHAPTER IV . 328 346 • 366 THE ARRAIGNMENT OF PARIS . SIR JOHN OLDCASTLE . THE MERRY DEVIL OF ...
Page 108
... Richard Edwards , which was printed in 1570 . And yet a very similar story is told even of Chalif Harun al Raschid in the Arabian Nights . See also , G. H. Norton in the Shakspears Society's Papers , ii . 2 f .; also Simrock , l.c. iii ...
... Richard Edwards , which was printed in 1570 . And yet a very similar story is told even of Chalif Harun al Raschid in the Arabian Nights . See also , G. H. Norton in the Shakspears Society's Papers , ii . 2 f .; also Simrock , l.c. iii ...
Page 179
... Richard II . , for instance , is directly followed by the accession of Henry IV . , without immediately producing any funda- mental change in the general political condition of England . In so far every genuine historical drama points ...
... Richard II . , for instance , is directly followed by the accession of Henry IV . , without immediately producing any funda- mental change in the general political condition of England . In so far every genuine historical drama points ...
Page 184
... Richard II . to the death of Richard III . , had torn and distracted , but , at the same time internally strengthened the power of England . We are here shown ( more than could be the case in a regular tragedy ) the 184 [ BOOK VI ...
... Richard II . to the death of Richard III . , had torn and distracted , but , at the same time internally strengthened the power of England . We are here shown ( more than could be the case in a regular tragedy ) the 184 [ BOOK VI ...
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Common terms and phrases
according accordingly action æsthetic ancient appeared Ben Jonson character circumstances comedy comic composition connection contrast Coriolanus death Delius diction doubtful plays Duke Dyce edition Edward III endeavoured English critics ethical external fact Falstaff favour feeling folio French genuine German Gervinus give hand hence Henry Henry IV Henry VI historical drama idea inasmuch internal Julius Cæsar King John Knight language Lastly latter less Locrine Malone manner Marlowe's merely Midsummer Night's Dream mind moral motives nature noble opinion outward passages passion Pericles personages piece poet poet's poetical poetry political possess Prince printed proved quarto Queen reality regards reign representation represented Richard Richard III scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare's spirit stage Steevens style theatre Tieck Timon of Athens tion Titus Andronicus tragic Translated True Tragedie truth unity versification vols whole wholly written
Popular passages
Page 62 - twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire and rifted Jove's stout oak With his own bolt...
Page 423 - All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Page 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you, whose pastime Is to make midnight mushrooms ; that rejoice To hear the solemn curfew...
Page 125 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Page 334 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 420 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 435 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 158 - Could great men thunder As Jove himself does, Jove would ne'er be quiet; For every pelting, petty officer Would use his heaven for thunder ; Nothing but thunder. Merciful Heaven ! Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak, Than the soft myrtle...
Page 21 - STRABO'S Geography. Translated by W. Falconer, MA, and HC Hamilton. 3 vols. 5^. each. STRICKLAND'S (Agnes) Lives of the Queens of England, from the Norman Conquest. Revised Edition. With 6 Portraits. 6 vols. 5*. each. Life of Mary Queen of Soots. 2 vols. 5*. each. Lives of the Tudor and Stuart Princesses. With Portraits. 5*.
Page 435 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.