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'T'

is strange, the Mifer should hisCares employ

To gain those riches he can ne'er enjoy:
Is it less strange, the Prodigal should waste
His wealth, to purchase what he ne'er can taste?

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COMMENTARY. EPISTLE IV.] The extremes of Avarice and Profusion being treated of in the foregoing Epistle; this takes up one particular branch of the later, the Vanity of Expence in people of wealth and quality; and is therefore a corollary to the preceding, just as the Epifle on the Characiers of Women is to that of the Knowledge and Characters of Men. It is equally remarkable for exactness of method with the rest. But the nature of the subject, which is less philosophical, makes it capable of being analysed in a much narrower compass.

VER. 1. 'Tis ftrange, &c.] The poet’s introduction (from x 1 to 39] consists of a very curious remark, arising from his intimate knowledge of nature; together with an illustration of that remark, taken from his observations on life. It is this, That the Prodigal no more enjoys his Profufion, than the Mifer, his Rapacity. It was generally thought that Avarice only kept without enjoyment; but the poet here first acquaints us with a circumstance in human life much more to be lamented, viz. that Profufron too can communicate without it; whereas Enjoyment was thought to be as peculiarly the reward of the beneficent pas. fions (of which this has the appearance) as want of enjoyment was the punishment of the selfijn. The phænomenon observed is odd enough. But if we look more narrowly into this matter, we fall find, that Prodigality, when in pursuit of Taste, is only a Mode of Vanity, and consequently as selfish a passion as even avarice itself; and it is of the ordonance and conftitution

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N. Blakey inv.et del.

Ravenet Sculp.

What brought S."listos ill-got Wealth to waste? Fome Demon whisperidiisto! have a Taste).m

Ep:on Festes

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Not for himself he sees, or hears, or eats ; 5
Artists must chuse his Pictures, Music, Meats :
He buys for Topham, Drawings and Designs,
For Pembroke Statues, dirty Gods, and Coins;
Rare monkish Manuscripts for Hearne alone,
And Books for Mead, and Butterflies for Sloane. 10

COMMENTARY.

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of all selfish passions, when growing to excess, to defeat their own end, which is Self-enjoyment. But besides the accurate philosophy of this observation, there is a fine Morality contained in it; namely, that ill-got Wealth is not only as unreafonably, but as uncomfortably squandered as it was raked together; which the poet himself further infinuates in x 15.

What brought Sir Visto's ill-got wealth to waste? He then illustrates the above obfervation by divers examples in every branch of wrong Tajte; and to set their absurdities in the strongest light, he, in conclufion, contrasts them with several instances of the true, in the Nobleman to whom the Epistle is addressed. This disposition is productive of various beauties; for, by this means, the Introduction becomes an epitome of the body of the Epiftle; which, as we shall see, consists of general reflections on Tafte, and particular examples of bad and good. And his friend's Example concluding the Introduction, leads the poet gracefully into the subject itself; for the Lord, here celebrated for his good Taste, was now at hand to deliver the first and fundamental precept of it himself, which gives authority and dignity to all that follow.

NOTES.

Ver. 7. Topham] A Gentleman famous for a judicious collection of Drawings. P.

VER. 8. For Pembroke Statues, dirty Gods, and Coins.] The author speaks here not as a Philosopher or Divine, but as a Con

Think we all these are for himself? no more
Than his fine Wife, alas! or finer Whore.

For what has Virro painted, built, and planted? Only to shew, how many Tastes he wanted. 14 What brought Sir Visto's ill got wealth to waste? Some Dæmon whisperid,

" Visto ! have a Taste.”. Heav'n visits with a Taste the wealthy fool, And needs no Rod but Ripley with a Rule.

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NOTES noisseur and Antiquary; consequently the dirty attribute here assigned these Gods of old renown, is not in disparagement of their worth, but in high commendation of their genuine pretensions. SCRIBL.

VER. 10. And Books for Mead, and Butterflies for Sloane.] Two eminent Physicians; the one had an excellent Library, the other the finest collection in Europe of natural curiofities; both men of great learning and humanity. P.

Ver. 12. Than his fine Wife, alas ! or finer Whore.] By the Author's manner of putting together these two different Utenfils of false Magnificence, it appears, that, properly speaking, neither the life nor the IV hore is the real object of modern taste, but the Forery only: And whoever wears it, whether the Wife or the Whore, it matters not; any further than that the latter is thought to deserve it best, as appears from her having most of it; and so indeed becomes, by accident, the more fashionable Thing of the two. Scribl.

Ver. 17. Heav'n visits with a Taste the wealthy fool,] The present rage of Talle, in this overflow of general Luxury, may be very properly represented by a desolating peftilence, alluded to in the word visit.

Ver. 18. Ripley) This man was a carpenter, employed by a first Minister, who raised him to an Architect, without any genius in the art; and after some wretched proofs of his insufficiency in public Buildings, made him Comptroller of the Board of works, P.

SCRIBL

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