The Works of Alexander Pope, Esq: With Notes and Illustrations by Himself and Others. To which are Added, a New Life of the Author, an Estimate of His Poetical Character and Writings, and Occasional Remarks,, 3. köideJ. Rivington, 1824 |
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Page 34
... moral , historical , and picturesque ; or , in other words , where description is made subservient to the delighted fancy , the cultivated understanding , and the improved heart , surely no real judge of Poetry would condemn . What beau ...
... moral , historical , and picturesque ; or , in other words , where description is made subservient to the delighted fancy , the cultivated understanding , and the improved heart , surely no real judge of Poetry would condemn . What beau ...
Page 35
... moral by the introduction of a shepherd's tomb , and the inscription " Et ego in Arcadia ; " in like manner should we regard a descriptive poem , connected at the same time with wider information , and diversified with more pointed ...
... moral by the introduction of a shepherd's tomb , and the inscription " Et ego in Arcadia ; " in like manner should we regard a descriptive poem , connected at the same time with wider information , and diversified with more pointed ...
Page 34
... moral , historical , and picturesque ; or , in other words , where description is made subservient to the delighted fancy , the cultivated understanding , and the improved heart , surely no real judge of Poetry would condemn . What ...
... moral , historical , and picturesque ; or , in other words , where description is made subservient to the delighted fancy , the cultivated understanding , and the improved heart , surely no real judge of Poetry would condemn . What ...
Page 53
... moral truth makes the principle of true philo- sophy the fittest for this use . Our poet has been pretty careful in observing this rule . Warburton . 45 To tell ' em would an hundred tongues require ESSAY ON CRITICISM . 53.
... moral truth makes the principle of true philo- sophy the fittest for this use . Our poet has been pretty careful in observing this rule . Warburton . 45 To tell ' em would an hundred tongues require ESSAY ON CRITICISM . 53.
Page 130
... moral . The force of the observation consists in giving it this sense . The Poet not only uses the word Nature , for human nature , throughout this poem ; but also , where in the beginning of it , he lays down the principles of the arts ...
... moral . The force of the observation consists in giving it this sense . The Poet not only uses the word Nature , for human nature , throughout this poem ; but also , where in the beginning of it , he lays down the principles of the arts ...
Other editions - View all
The Works of Alexander Pope: Esq. with Notes and Illustrations by Himself ... Alexander Pope No preview available - 2015 |
The Works of Alexander Pope: Esq. with Notes and Illustrations by Himself ... Alexander Pope No preview available - 2016 |
Common terms and phrases
Abelard Addison admiration Æneid ancient appears Ariosto Aristotle beauty Belinda Boileau Bowles Canto censure character charms COMMENTARY Craggs Critic Dryden elegant Eloisa Eloisa to Abelard epic poetry Epistle Essay Euripides ev'n ev'ry excellent eyes fair false fancy fate fools genius give Gnome grace heart heav'n hero Homer honour Horace Iliad IMITATIONS judge judgment Lady language learning letters lines Lock Lord lov'd manner mind modern moral Muse nature never NOTES numbers Nymph o'er observed painted Paradise Lost passage passion piece Plato pleas'd poem poet poetical poetry Pope Pope's pow'r praise pray'rs precepts Pride quæ Quintilian rage rise Rosicrucian rules sacred satire says sense shews shine Silius Italicus Sophocles soul spirit Sylphs taste tears Thalestris thee thing thou thought tragedy translation trembling true truth Umbriel VARIATIONS verse Vida Virgil Warburton Warton whole writing
Popular passages
Page 101 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 93 - And value books, as women men, for dress: Their praise is still, — the style is excellent; The sense, they humbly take upon content. Words are like leaves; and where they most abound, Much fruit of sense beneath is rarely found...
Page 45 - Ten Censure wrong for one who Writes amiss ; A Fool might once himself alone expose, Now One in Verse makes many more in Prose. 'Tis with our Judgments as our Watches, none Go just alike, yet each believes his own.
Page 98 - True ease in writing comes from art, not chance ; As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence ; The sound must seem an echo to the sense. Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows; . But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 95 - In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Page 186 - This day, black omens threat the brightest fair, That e'er deserv'da watchful spirit's care; Some dire disaster, or by force, or slight; But what, or where, the fates have wrapt in night. Whether the nymph shall break Diana's law, Or some frail china jar receive a flaw; Or stain her honour, or her new brocade; Forget her pray'rs, or miss a masquerade; Or lose her heart, or necklace, at a ball; Or whether Heav'n has doom'd that Shock must fall.
Page 81 - While from the bounded level of our mind, Short views we take, nor see the lengths behind; But more advanc'd, behold with strange surprise, New distant scenes of endless science rise!
Page 204 - fore Gad, you must be civil! "Plague on't! 'tis past a jest — nay prithee, pox! "Give her the hair" — he spoke, and rapp'd his box. "It grieves me much" (replied the Peer again) "Who speaks so well should ever speak in vain. But by this Lock, this sacred Lock I swear, (Which never more shall join its parted hair; Which...
Page 196 - T' inclose the lock ; now joins it, to divide. Ev'n then, before the fatal engine clos'd, A wretched sylph too fondly interpos'd ; Fate urg'd the shears, and cut the sylph in twain, (But airy substance soon unites again) The meeting points the sacred hair dissever From the fair head, for ever, and for ever ! Then flash'd the living lightning from her eyes, • And screams of horror rend th
Page 176 - To one man's treat, but for another's ball? When Florio speaks what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from every part, They shift the moving Toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive.