English Dramatic Theories, 1. köideM. Niemeyer, 1973 |
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Page 23
... bringing hem in eche place , that it be alwayes agreeable , and the last ike vnto the first , and not make one person nowe ... bring theyr matters to good passe , they runne to God . Let ot more personnes speake together then foure , for ...
... bringing hem in eche place , that it be alwayes agreeable , and the last ike vnto the first , and not make one person nowe ... bring theyr matters to good passe , they runne to God . Let ot more personnes speake together then foure , for ...
Page 35
... bring forth a divine admiration . But I have lavished out too many words of this play matter . I do it because , as they are excelling parts of Poesy , so is there none so much used in England , and none can be more pitifully abused ...
... bring forth a divine admiration . But I have lavished out too many words of this play matter . I do it because , as they are excelling parts of Poesy , so is there none so much used in England , and none can be more pitifully abused ...
Page 59
... bring a vice upon the stage , That does go off unpunish'd ? Do we teach , By the success of wicked undertakings ... bringing on the stage a loose adulteress , That does maintain the riotous expense Of him that feeds her greedy lust , yet ...
... bring a vice upon the stage , That does go off unpunish'd ? Do we teach , By the success of wicked undertakings ... bringing on the stage a loose adulteress , That does maintain the riotous expense Of him that feeds her greedy lust , yet ...
Contents
An Abridgement of the Notable Work | 5 |
Prologue to Ralph Roister Doister ca 1566 | 11 |
The Art of English Poesy 1589 | 25 |
Copyright | |
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action actors Ancients argument Aristotle audience behold Ben Johnson betwixt blank verse Comedy comic compass Corneille Crites Criticism dayes delight discourse doth Drama Dramatic Poesy Dramatic Theories Dramatick Edited English enterludes Epitasi euery Eugenius euill Euripides example excellent father faults Fletcher Francis Beaumont French GEORGE CHAPMAN hath haue hear honour Horace humour imitation John Dryden Johnson judgment kind kings labour language laugh laughter learned Lisideius lively London manner matter mirth Modern Nature never Nicholas Grimald observed passions perfect persons Philip Massinger Plautus players Playes plot poem poets present Prologue reason repr represented rhyme Satyre sayth scenes Sejanus Seneca serious plays Shakespeare shew Silent Woman Sophocles speak speech stage Terence theatre themselues things Thomas Heywood Thomas Marc Parrott thou thought Tragedy tragi-comedy vertue vice virtue vpon vsed wherein whole words writ write