English Dramatic Theories, 1. köideM. Niemeyer, 1973 |
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Page 103
... judgment , and so repent , we may expect to hear of in a ser- mon , but I should never endure it in a play . ' I pass by this ; neither will I insist on the care they take , that no person after his first entrance shall ever appear ...
... judgment , and so repent , we may expect to hear of in a ser- mon , but I should never endure it in a play . ' I pass by this ; neither will I insist on the care they take , that no person after his first entrance shall ever appear ...
Page 126
... judgment , by putting bounds to wild overflowing fancy . I think , therefore , it will not b hard for me to make good what it was to prove . But you add that were this let pass , yet he who wants judgment in th liberty of his fancy ...
... judgment , by putting bounds to wild overflowing fancy . I think , therefore , it will not b hard for me to make good what it was to prove . But you add that were this let pass , yet he who wants judgment in th liberty of his fancy ...
Page 127
... judgment here indefinitely , you seem to have put a falla- cy upon us . I grant , he who has judgment , that is , so profound , so strong , so infallible a judgment , that he needs no helps to keep it always poised and upright , will ...
... judgment here indefinitely , you seem to have put a falla- cy upon us . I grant , he who has judgment , that is , so profound , so strong , so infallible a judgment , that he needs no helps to keep it always poised and upright , will ...
Contents
An Abridgement of the Notable Work | 5 |
Prologue to Ralph Roister Doister ca 1566 | 11 |
The Art of English Poesy 1589 | 25 |
Copyright | |
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action actors Ancients argument Aristotle audience behold Ben Johnson betwixt blank verse Comedy comic compass Corneille Crites Criticism dayes delight discourse doth Drama Dramatic Poesy Dramatic Theories Dramatick Edited English enterludes Epitasi euery Eugenius euill Euripides example excellent father faults Fletcher Francis Beaumont French GEORGE CHAPMAN hath haue hear honour Horace humour imitation John Dryden Johnson judgment kind kings labour language laugh laughter learned Lisideius lively London manner matter mirth Modern Nature never Nicholas Grimald observed passions perfect persons Philip Massinger Plautus players Playes plot poem poets present Prologue reason repr represented rhyme Satyre sayth scenes Sejanus Seneca serious plays Shakespeare shew Silent Woman Sophocles speak speech stage Terence theatre themselues things Thomas Heywood Thomas Marc Parrott thou thought Tragedy tragi-comedy vertue vice virtue vpon vsed wherein whole words writ write