English Dramatic Theories, 1. köideM. Niemeyer, 1973 |
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Page 114
... language in them arrived to its highest perfection what words have since been taken in , are rather superfluou than ornamental . Their plays are now the most pleasant an frequent entertainments of the stage ; two of theirs being acte ...
... language in them arrived to its highest perfection what words have since been taken in , are rather superfluou than ornamental . Their plays are now the most pleasant an frequent entertainments of the stage ; two of theirs being acte ...
Page 128
... Language Notes MLR Modern Language Review MP Modern Philology PMLA Publications of the Modern Language Association of America PQ RES SP Philological Quarterly Review of English Studies Studies in Philology TEXTUAL SOURCES 1 Sir Thomas ...
... Language Notes MLR Modern Language Review MP Modern Philology PMLA Publications of the Modern Language Association of America PQ RES SP Philological Quarterly Review of English Studies Studies in Philology TEXTUAL SOURCES 1 Sir Thomas ...
Page 137
... Language and Literature , vol . 34 , 1-2 , Urbana , 1950 . Herrick , Marvin T. , Tragicomedy , Its Origin and Development in Italy , France , and England , Illinois Studies in Language and Literature , vol . 39 , Urbana , 1955 . Herrick ...
... Language and Literature , vol . 34 , 1-2 , Urbana , 1950 . Herrick , Marvin T. , Tragicomedy , Its Origin and Development in Italy , France , and England , Illinois Studies in Language and Literature , vol . 39 , Urbana , 1955 . Herrick ...
Contents
An Abridgement of the Notable Work | 5 |
Prologue to Ralph Roister Doister ca 1566 | 11 |
The Art of English Poesy 1589 | 25 |
Copyright | |
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action actors Ancients argument Aristotle audience behold Ben Johnson betwixt blank verse Comedy comic compass Corneille Crites Criticism dayes delight discourse doth Drama Dramatic Poesy Dramatic Theories Dramatick Edited English enterludes Epitasi euery Eugenius euill Euripides example excellent father faults Fletcher Francis Beaumont French GEORGE CHAPMAN hath haue hear honour Horace humour imitation John Dryden Johnson judgment kind kings labour language laugh laughter learned Lisideius lively London manner matter mirth Modern Nature never Nicholas Grimald observed passions perfect persons Philip Massinger Plautus players Playes plot poem poets present Prologue reason repr represented rhyme Satyre sayth scenes Sejanus Seneca serious plays Shakespeare shew Silent Woman Sophocles speak speech stage Terence theatre themselues things Thomas Heywood Thomas Marc Parrott thou thought Tragedy tragi-comedy vertue vice virtue vpon vsed wherein whole words writ write