English Dramatic Theories, 1. köideM. Niemeyer, 1973 |
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Page 75
... Passions , Affections , Fashions , Customs , Manners , and practices of the whole World of Mankind , as in several persons ; also particular Follies , Vanities , Vices , Humours , Passions , Affec- tions , Fashions , Customs , Fortunes ...
... Passions , Affections , Fashions , Customs , Manners , and practices of the whole World of Mankind , as in several persons ; also particular Follies , Vanities , Vices , Humours , Passions , Affec- tions , Fashions , Customs , Fortunes ...
Page 94
... passions , that , had he lived in our age , or in his own could have writ with our advantages , no man but must have yielded to him ; and therefore I am confident the Medea is none of his : for , though I esteem it for the gravity and ...
... passions , that , had he lived in our age , or in his own could have writ with our advantages , no man but must have yielded to him ; and therefore I am confident the Medea is none of his : for , though I esteem it for the gravity and ...
Page 107
... passion , as that the effects of it should appear in the concernment of an audience , their speeches being so many ... passions and beget concernment in us , than the other ; for it is unnatural for any one in a gust of passion to ...
... passion , as that the effects of it should appear in the concernment of an audience , their speeches being so many ... passions and beget concernment in us , than the other ; for it is unnatural for any one in a gust of passion to ...
Contents
An Abridgement of the Notable Work | 5 |
Prologue to Ralph Roister Doister ca 1566 | 11 |
The Art of English Poesy 1589 | 25 |
Copyright | |
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action actors Ancients argument Aristotle audience behold Ben Johnson betwixt blank verse Comedy comic compass Corneille Crites Criticism dayes delight discourse doth Drama Dramatic Poesy Dramatic Theories Dramatick Edited English enterludes Epitasi euery Eugenius euill Euripides example excellent father faults Fletcher Francis Beaumont French GEORGE CHAPMAN hath haue hear honour Horace humour imitation John Dryden Johnson judgment kind kings labour language laugh laughter learned Lisideius lively London manner matter mirth Modern Nature never Nicholas Grimald observed passions perfect persons Philip Massinger Plautus players Playes plot poem poets present Prologue reason repr represented rhyme Satyre sayth scenes Sejanus Seneca serious plays Shakespeare shew Silent Woman Sophocles speak speech stage Terence theatre themselues things Thomas Heywood Thomas Marc Parrott thou thought Tragedy tragi-comedy vertue vice virtue vpon vsed wherein whole words writ write