Winning Declamations and how to Speak Them ...: Part I--for Intermediate and Grammar Grades; Part II--for High Schools and CollegesEdwin Du Bois Shurter L. A. Noble, 1917 - 303 pages Over one hundred selections of notable declamations. |
From inside the book
Results 1-5 of 36
Page 5
... require more effort and more time . Choose the selection that makes a direct appeal to you and then abandon yourself to its enjoyment . Your interest will be intensified thereby and you will cut in two the time for memorizing a given ...
... require more effort and more time . Choose the selection that makes a direct appeal to you and then abandon yourself to its enjoyment . Your interest will be intensified thereby and you will cut in two the time for memorizing a given ...
Page 25
... require very few or no gestures . But whether gesturing or not , don't stick your thumbs and fingers out as if they were sticks . Neither should you close them as if they were glued to your palms . Finally , do not gesture without an ...
... require very few or no gestures . But whether gesturing or not , don't stick your thumbs and fingers out as if they were sticks . Neither should you close them as if they were glued to your palms . Finally , do not gesture without an ...
Page 50
... requires strong feeling and force through- out , especial care should be used in pausing and changing the delivery - dropping for a moment to the conversational style - at the transitional paragraphs when each boy is introduced . THE ...
... requires strong feeling and force through- out , especial care should be used in pausing and changing the delivery - dropping for a moment to the conversational style - at the transitional paragraphs when each boy is introduced . THE ...
Page 59
... requires rapid rate and very strong force , and the sub- sequent paragraph requires slower rate , but sustained force and greater volume . It is a cloudless summer day ; a clear blue sky arches and expands above a quaint edifice ...
... requires rapid rate and very strong force , and the sub- sequent paragraph requires slower rate , but sustained force and greater volume . It is a cloudless summer day ; a clear blue sky arches and expands above a quaint edifice ...
Page 77
... requires a sympathetic appreciation of that period in American history . This declamation is strongly emotional , and should be studied with a view of ap- preciating and expressing the peculiar emotion that dominates the The second ...
... requires a sympathetic appreciation of that period in American history . This declamation is strongly emotional , and should be studied with a view of ap- preciating and expressing the peculiar emotion that dominates the The second ...
Other editions - View all
Winning Declamations and How to Speak Them: Part I for Intermediate and ... Edwin DuBois Shurter No preview available - 2015 |
Winning Declamations and How to Speak Them: Part I for Intermediate and ... Edwin Dubois Shurter No preview available - 2018 |
Common terms and phrases
Alamo American Annabel Lee army audience battle beautiful Belgium blood brave child citizen climax Cross of Honor death declamation delivered delivery Desaix dream emotions emphasis England eyes face father feeling fight flag Frank Steunenberg friends George William Curtis gesture give glory Goliad hand happy Harry Orchard heard heart honor hope human iron tongue Irving Bacheller Joaquin Miller land last paragraph liberty lines live Longwy look man-the Micky mind mother Napoleon nation naturally never night Note pause and change peace poem poor pumpkin pie requires ringing tones rise Sail selection silence sings soldiers song soul speak speech spirit spring stand stanza stars stood story strong force style tears tell Texas thee things thou thought tion to-day victory voice wealth Wendell Phillips West begins Whig word
Popular passages
Page 179 - This mad sea shows his teeth to-night. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word: What shall we do when hope is gone?" The. words leapt like a leaping sword: "Sail on! sail on! sail on! and on!" Then, pale and worn, he kept his deck, And peered through darkness. Ah, that night Of all dark nights! And then a speck — A light! a light! a light! a light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a...
Page 184 - IT was many and many a year ago, In a kingdom by the sea That a maiden there lived whom you may know By the name of ANNABEL LEE ; And this maiden she lived with no other thought Than to love and be loved by me.
Page 48 - Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate : I am the captain of my soul.
Page 152 - Hold on!" If you can talk with crowds and keep your virtue, Or walk with Kings — -nor lose the common touch; If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds...
Page 138 - FEAR death ? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe ; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...
Page 161 - From the silence of sorrowful hours The desolate mourners go, Lovingly laden with flowers Alike for the friend and the foe; — Under the sod and the dew, Waiting the judgment day;— Under the roses, the Blue; Under the lilies, the Gray.
Page 176 - Who knows whither the clouds have fled? In the unscarred heaven they leave no wake; And the eyes forget the tears they have shed, The heart forgets its sorrow and ache...
Page 178 - The stout mate thought of home; a spray Of salt wave washed his swarthy cheek. "What shall I say, brave Adm'r'l, say, If we sight naught but seas at dawn?" "Why, you shall say at break of day: 'Sail on! sail on! sail on! and on!
Page 175 - Whether we look, or whether we listen, We hear life murmur, or see it glisten ; Every clod feels a stir of might, An instinct within it that reaches and towers, And, groping blindly above it for light, Climbs to a soul in grass and flowers.
Page 151 - And treat those two imposters just the same, If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, : And stoop and build 'em up with worn-out tools.