Winning Declamations and how to Speak Them ...: Part I--for Intermediate and Grammar Grades; Part II--for High Schools and CollegesEdwin Du Bois Shurter L. A. Noble, 1917 - 303 pages Over one hundred selections of notable declamations. |
From inside the book
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Page v
... tion ; to Allyn & Bacon , publishers of Shurter's Public Speaking , for the use made of portions of that text in the Introduction to the present volume ; also to publishers of copyrighted material designated in subsequent pages . Author ...
... tion ; to Allyn & Bacon , publishers of Shurter's Public Speaking , for the use made of portions of that text in the Introduction to the present volume ; also to publishers of copyrighted material designated in subsequent pages . Author ...
Page 2
... tion to connote a cutting from an oration written and spoken originally by some person other than the one who is declaiming the selection . It is impossible to mark the exact dividing lines between an oration , a declamation , and a ...
... tion to connote a cutting from an oration written and spoken originally by some person other than the one who is declaiming the selection . It is impossible to mark the exact dividing lines between an oration , a declamation , and a ...
Page 11
... said , this is a fundamental requirement . Having mastered the art of enuncia- tion , you are then ready to apply other elements of effective speaking . please you must not madden with a monotonous delivery . Introduction II.
... said , this is a fundamental requirement . Having mastered the art of enuncia- tion , you are then ready to apply other elements of effective speaking . please you must not madden with a monotonous delivery . Introduction II.
Page 15
... tion . Basis of good emphasis . Like all other elements of expression , this matter of emphasis is the double work of mind and voice . You cannot em- phasize a word unless the mind first perceives its importance for the purpose of the ...
... tion . Basis of good emphasis . Like all other elements of expression , this matter of emphasis is the double work of mind and voice . You cannot em- phasize a word unless the mind first perceives its importance for the purpose of the ...
Page 16
... tion . The general rule is , that when the thought is incomplete at a given pause , the voice should . rise ; and when the thought is complete , the voice should fall in pitch . But aside from this general rule , the inflections of the ...
... tion . The general rule is , that when the thought is incomplete at a given pause , the voice should . rise ; and when the thought is complete , the voice should fall in pitch . But aside from this general rule , the inflections of the ...
Other editions - View all
Winning Declamations and How to Speak Them: Part I for Intermediate and ... Edwin DuBois Shurter No preview available - 2015 |
Winning Declamations and How to Speak Them: Part I for Intermediate and ... Edwin Dubois Shurter No preview available - 2018 |
Common terms and phrases
Alamo American Annabel Lee army audience battle beautiful Belgium blood brave child citizen climax Cross of Honor death declamation delivered delivery Desaix dream emotions emphasis England eyes face father feeling fight flag Frank Steunenberg friends George William Curtis gesture give glory Goliad hand happy Harry Orchard heard heart honor hope human iron tongue Irving Bacheller Joaquin Miller land last paragraph liberty lines live Longwy look man-the Micky mind mother Napoleon nation naturally never night Note pause and change peace poem poor pumpkin pie requires ringing tones rise Sail selection silence sings soldiers song soul speak speech spirit spring stand stanza stars stood story strong force style tears tell Texas thee things thou thought tion to-day victory voice wealth Wendell Phillips West begins Whig word
Popular passages
Page 179 - This mad sea shows his teeth to-night. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word: What shall we do when hope is gone?" The. words leapt like a leaping sword: "Sail on! sail on! sail on! and on!" Then, pale and worn, he kept his deck, And peered through darkness. Ah, that night Of all dark nights! And then a speck — A light! a light! a light! a light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a...
Page 184 - IT was many and many a year ago, In a kingdom by the sea That a maiden there lived whom you may know By the name of ANNABEL LEE ; And this maiden she lived with no other thought Than to love and be loved by me.
Page 48 - Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate : I am the captain of my soul.
Page 152 - Hold on!" If you can talk with crowds and keep your virtue, Or walk with Kings — -nor lose the common touch; If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds...
Page 138 - FEAR death ? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe ; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...
Page 161 - From the silence of sorrowful hours The desolate mourners go, Lovingly laden with flowers Alike for the friend and the foe; — Under the sod and the dew, Waiting the judgment day;— Under the roses, the Blue; Under the lilies, the Gray.
Page 176 - Who knows whither the clouds have fled? In the unscarred heaven they leave no wake; And the eyes forget the tears they have shed, The heart forgets its sorrow and ache...
Page 178 - The stout mate thought of home; a spray Of salt wave washed his swarthy cheek. "What shall I say, brave Adm'r'l, say, If we sight naught but seas at dawn?" "Why, you shall say at break of day: 'Sail on! sail on! sail on! and on!
Page 175 - Whether we look, or whether we listen, We hear life murmur, or see it glisten ; Every clod feels a stir of might, An instinct within it that reaches and towers, And, groping blindly above it for light, Climbs to a soul in grass and flowers.
Page 151 - And treat those two imposters just the same, If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, : And stoop and build 'em up with worn-out tools.