The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese Fiction
University of California Press, 23. märts 1992 - 333 pages
The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Fictions and Fabrications
Language and the Illusion of Presence
ShishöSetsu Criticism and the Myth
Tókoku Doppo Högetsu
Readers Writers Critics
The Hero as Fool
The Hero as Sage
The Hero as Victim
Other editions - View all
actually Akutagawa Ryûnosuke An'ya köro appear argues artistic audience authenticity autobiographical bungaku career chapter character Chikamatsu Shükö confession consciousness critics culture cycle Dazai Osamu depicted discussion Doppo emotional essay Estranged Wife example fact father feelings first-person narration Futon Giwaku hero's Högetsu Hômei Ibid Japa Japan Japanese literature Japanese writers jibun junbungaku kare Kasai hero Kasai Zenzö Kensaku Kindai Kobayashi Kobayashi Hideo Kume Masao Kunikida Doppo language later literary lived experience magazine Masamune Meiji Meiji period modern Japanese Nakamura Mitsuo narrator-hero narrator's naturalist nature never novel Osei Osuma otoko published reader reality referential relationship sense setsu Shiga Naoya Shirakaba shishö shishöSetsu writer shösetsu shû Shükö sincerity social society story story's Taishö Tanizaki Tayama Katai third-person thought tion Tókoku Tokyo Tóson tradition truth Wakai Wakareta tsuma Watakushi shösetsu western western fiction writing written reportive style Yukioka zenshû