The literary works of sir Joshua Reynolds. To which is prefixed a memoir by H.W. Beechey, 2. köide |
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Page 13
... called his friends together , to tell him what name he should give it , and it was agreed to call it The Rape of the Sabines * ; and this is the cele- brated group which now stands before the old Palace at Florence . The figures have ...
... called his friends together , to tell him what name he should give it , and it was agreed to call it The Rape of the Sabines * ; and this is the cele- brated group which now stands before the old Palace at Florence . The figures have ...
Page 17
... called , proceeds to represent figures , or groups of figures on different plans ; that is some on the foreground , and some at a greater distance , in the manner of Painters in historical compositions . To do this he has no other means ...
... called , proceeds to represent figures , or groups of figures on different plans ; that is some on the foreground , and some at a greater distance , in the manner of Painters in historical compositions . To do this he has no other means ...
Page 28
... called , in which Titian and others of that school express themselves , that their chief excel- lence lies . This manner is in reality , in painting , what language is in poetry ; we are all sensible how differently the imagination is ...
... called , in which Titian and others of that school express themselves , that their chief excel- lence lies . This manner is in reality , in painting , what language is in poetry ; we are all sensible how differently the imagination is ...
Page 30
... called , of Titian , his works would certainly not have been less excellent ; and that praise , which ages and nations have poured out upon him , for possessing Genius in the higher at → tainments of art , would have been extended to ...
... called , of Titian , his works would certainly not have been less excellent ; and that praise , which ages and nations have poured out upon him , for possessing Genius in the higher at → tainments of art , would have been extended to ...
Page 33
... called it the triumph of Painting , ) or to the altar of St. Augustine at Antwerp , by Rubens , which equally deserves that title , and for the same reason . Neither of those pictures have any interesting story to support them . That of ...
... called it the triumph of Painting , ) or to the altar of St. Augustine at Antwerp , by Rubens , which equally deserves that title , and for the same reason . Neither of those pictures have any interesting story to support them . That of ...
Common terms and phrases
admirable Albert Durer altar ancient Andrea Antwerp appears artist atque attention beauty called Caracci Caravaggio certainly character Christ church colouring composition Correggio defect detto disposition Domenichino Domenico Feti drapery drawing drawn effect equal excellence expression figures finished Francesco Francis Fresnoy genius Giacomo give grace grandeur hand head History Bologna History Florence idea imagination imitation invention Jan Steen John Jordaens judgment kind Landsc landscape light and shadow likewise looking LUCA GIORDANO Ludovico Carracci Magdalen manner Masaccio master means Michael Angelo mind nature noble object observed ornament Painter passions Paul Veronese perfect perhaps Pietro Pietro Perugino Poem Poet Poetry portrait possessed principal produce Prospero Fontana quæ racter Rafaëlle Raffaelle Rembrandt represented Rome Rubens Rubens's rules Saint Sculpture shade spectator style taste Teniers thing tint Tintoret tion Titian truth ture Vandyck Venice VERSE Virgin whole
Popular passages
Page 133 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Page 136 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
Page 134 - As we are then more accustomed to beauty than deformity, we may conclude that to be the reason why we approve and admire it, as we approve and admire customs and fashions of dress for no other reason than that we are used to them...
Page 391 - A happy genius is the gift of nature : it depends on the influence of the stars, say the astrologers ; on the organs of the body, say the naturalists ; it is the particular gift of heaven, say the divines, both Christians and heathens. How to improve it, many books can teach us ; how to obtain it, none ; that nothing can be done without it, all agree — Tu nihil invita dices faciesve Mintrva.
Page 127 - You would not then have seen an upright figure standing equally on both legs, and both hands stretched forward in the same direction, and his drapery, to all appearance, without the least art of disposition.
Page 130 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.
Page 400 - that the figures of the groups must not be all on a side, that is, with their faces and bodies all turned the same way, but must contrast each other by their several positions." Thus in a play, some characters must be raised to oppose others, and to set them off the better, according to the old maxim, " Contraria juxta se posita, magis elucescunt.
Page 220 - ... better: it is here as in personal attractions; there is frequently found a certain agreement and correspondence in the whole together, which is often more captivating than mere regular beauty. RUBENS appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies, and may venture in some measure to throw aside the fetters of authority; to consider the rules as subject to his controul, and not himself subject to the rules; to risk...
Page 69 - Therefore, having once adopted a style and a measure not found in common discourse, it is required that the sentiments also should be in the same proportion elevated above common nature, from the necessity of there being an agreement of the parts among themselves, that one uniform whole may be produced. To correspond, therefore, with this general system of deviation from nature, the manner in which poetry is offered to the ear, the tone in which it is recited, should be as far removed from the tone...
Page 400 - English, the bawd of her sister, the design or drawing; she clothes, she dresses her up, she paints her, she makes her appear more lovely than naturally she is* she procures for the design, and makes lovers for her; for the design of itself is only so many naked lines. Thus in Poetry, the expression is that which charms the reader, and beautifies the design, which is only the outlines of the fables.