And thy dark sin! O! I could drink the cup, PATHOS. 28. [From "The Dying Boy.” — Mrs. Sigourney.] I knew a boy whose infant feet had trod And when the eighth came round, and called him out And sought his chamber, to lie down and die. 'Twas night; he summoned his accustomed friends, And on this wise bestowed his last bequest: "Mother, I'm dying now! There's a deep suffocation in my breast, I feel the cold sweat stand; My lips grow dry and tremulous, and my breath SERIOUSNESS, SOLEMNITY, TRANQUILLITY. 29. [From "The Mountains of Life." -J. G. Clark.] There's a land far away, 'mid the stars, we are told, Where the pure waters wander through valleys of gold, 'Tis the land of our God, 'tis the home of the soul, Our gaze cannot soar to that beautiful land, And our souls by the gale from its gardens are fanned, And we sometimes have longed for its holy repose, Oh! the stars never tread the blue heavens at night, But we feel the bright smile of our God. We are traveling homeward, through changes and gloom, To a kingdom where pleasures unceasingly bloom, And our guide is the glory that shines through the tomb, From the evergreen Mountains of Life. REVERENCE AND AWE. 30. [From "God's First Temples.” — Bryant.] The lesson of thy own eternity. Lo! all grow old and die—but see again Youth presses ever gay and beautiful youth, In all its beautiful forms. These lofty trees Wave not less proudly that their ancestors Molder beneath them. Oh, there is not lost One of earth's charms: upon her bosom yet, The freshness of her far beginning lies, And yet shall lie. Life mocks the idle hate Makes his own nourishment. For he came forth MELANCHOLY. [From "Hamlet's Soliloquy." Shakespeare.] Subdued and Moderate Force. 31. To be, or not to be? That is the question: Devoutly to be wished. To die; to sleep; To sleep! perchance to dream!-ay, there's the rub; For who would bear the whips and scorns of time, Is sicklied o'er with the pale cast of thought; 97. MODERATE FORCE. LAW OF USE. Moderate Force is employed in the expression of narrative, descriptive and didactic thought, and may be used to express the milder forms of sublimity, solemnity, grandeur and devotion. 98. Examples: NARRATION. 32. [From "Cromwell's Expulsion of the Parliament." - Lingard.] At this eventful moment, big with the most important consequences to himself and his country, whatever were the workings of Cromwell's mind, he had the art to conceal them from the eyes of the beholders. Leaving the military in the lobby, he entered the Parliament House and composedly seated himself on one of the outer benches. His dress was a plain suit of black cloth, with gray worsted stockings. For a while he seemed to listen with interest to the debate, but when the Speaker was going to put the question, he whispered to Harrison, "This is the time; I must do it ;" and rising, put off his hat to address the House. At first his language was decorous, and even laudatory. Gradually he became more warm and animated. At last he assumed all the vehemence of passion, and indulged in personal vituperation. He charged the members with selfseeking and profaneness, with the frequent denial of justice and numerous acts of oppression; with idolizing the lawyers, the constant advocates of tyranny; with neglecting the men who had bled for them in the field, that they might gain the Presbyterians, who had apostatized from the cause; and with doing all this in order to perpetuate their own power, and to replenish their own purses. But their time was come; the Lord had disowned them; he had chosen more worthy instruments to perform his work. Here the orator was interrupted by Sir Peter Wentworth, who declared that he had never heard language so unparliamentary language, too, the more offensive because it |