The Works of Shakespeare: The tragedy of Othello ; The tragedy of Antony and Cleopatra ; The tragedy of PericlesJ. M. Dent & Company, 1904 |
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... Othello from Cinthio's savage Moor , Iago from the cunning cowardly ensign of the original , the gentle lady Desdemona from " the virtuous lady of marvellous beauty , named Disdemona ( i.e. ' the hapless one ' ) , " who is beaten to ...
... Othello from Cinthio's savage Moor , Iago from the cunning cowardly ensign of the original , the gentle lady Desdemona from " the virtuous lady of marvellous beauty , named Disdemona ( i.e. ' the hapless one ' ) , " who is beaten to ...
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... Iago would not have succeeded but by hinting that his honour was com- promised . There is no ferocity in Othello ; his mind is majestic and composed . He deliberately determines to die ; and speaks his last speech with a view of showing ...
... Iago would not have succeeded but by hinting that his honour was com- promised . There is no ferocity in Othello ; his mind is majestic and composed . He deliberately determines to die ; and speaks his last speech with a view of showing ...
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... OTHELLO , a noble Moor in the service of the Venetia CASSIO , his lieutenant . IAGO , his ancient . RODERIGO , a Venetian gentleman . MONTANO , Othello's predecessor in the government of Clown , servant to Othello . DESDEMONA , daughter ...
... OTHELLO , a noble Moor in the service of the Venetia CASSIO , his lieutenant . IAGO , his ancient . RODERIGO , a Venetian gentleman . MONTANO , Othello's predecessor in the government of Clown , servant to Othello . DESDEMONA , daughter ...
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William Shakespeare Sir Israel Gollancz. The Tragedy of Othello , The Moor of Venice . ACT FIRST . Scene I. Venice . A street . Enter Roderigo and lago . Rod . Tush , never tell me , I take it much unkindly That thou , Iago , who hast ...
William Shakespeare Sir Israel Gollancz. The Tragedy of Othello , The Moor of Venice . ACT FIRST . Scene I. Venice . A street . Enter Roderigo and lago . Rod . Tush , never tell me , I take it much unkindly That thou , Iago , who hast ...
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... Iago : In following him , I follow but myself ; Heaven is my judge , not I for love and duty , But seeming so , for my peculiar end : For when my outward action doth demonstrate The native act and figure of my heart In compliment extern ...
... Iago : In following him , I follow but myself ; Heaven is my judge , not I for love and duty , But seeming so , for my peculiar end : For when my outward action doth demonstrate The native act and figure of my heart In compliment extern ...
Common terms and phrases
Alexas Antony and Cleopatra Bawd beseech Boult Brabantio Cæsar Cassio Char Charmian Cleo Cleon Cleopatra Collier Cyprus daughter dead death Desdemona Dionyza dost doth Egypt emendation Emil Emilia Enobarbus Enter Antony Eros Exeunt Exit eyes farewell fear Folios fortune friends Gent give gods Guard handkerchief hath hear heart heaven Helicanus hither honest honour Iago Iras king lady lago Lepidus look lord Lysimachus madam Malone Marina Mark Antony married Mess Messenger Michael Cassio mistress Moor Mytilene ne'er never night noble Octavia Othello Parthia Pericles play Pompey pray prince Prince of Tyre prithee Prol Quartos queen Re-enter Roderigo Scene Shakespeare Sold soldier soul speak Steevens conj sword tell Thaisa thee there's thine thou art thou hast thought to-night Tyre Venice villain What's wife ΙΟ