The Ashgate Research Companion to Popular MusicologyDerek B. Scott Ashgate Publishing, Ltd., 2009 - 557 pages The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field. |
Contents
Introduction | 1 |
Trevor Joness Score for In the Name of the Father | 25 |
The Present and a Future? | 43 |
Reinventing Question Time | 59 |
transcription showing organization of tracks and loops | 93 |
Hifi Culture and Changes | 105 |
Approaches to Analysing Recordings of Popular Music | 131 |
Sound Technology and Music | 147 |
Vocal Performance and the Projection of Emotional Authenticity | 317 |
Chelsea Rodgers was a Model Vocality in Prince of | 335 |
Singing Style and White Masculinity | 349 |
A Comparison between | 365 |
The Evolution of a British Popular Music | 379 |
Studying Reception and Scenes | 397 |
So What? | 411 |
Researching Ageing Popular | 427 |
Genre Subjectivity and Backup Singing in Rock Music | 171 |
Notes on Musical Camp | 189 |
Who Are You? Research Strategies of the Unruly Feminine | 205 |
Unravelling the Mainstream and the Alternative | 243 |
The Layering of Multiple Identities | 259 |
The New Meanings | 283 |
The Physical Performance of Popular Music | 303 |
Music and the Creative Knowledge Economy | 449 |
The Transnational Music Industry | 467 |
Global Economy Local Meanings | 485 |
499 | |
543 | |
Other editions - View all
Common terms and phrases
accessed acoustic aesthetic album analysis artists audience audio authenticity back-up singers backing vocalists band Beatles Bhangra Bo Diddley British Cambridge camp chorus concept context creative critical dance David Dayton discourse Essays ethnic Ethnomusicology example experience fans feminine film music funk gender genres gestures global guitar hi-fi Ibid identity important interpretation interview jazz listening live performance London masculinity meaning melody music industry musical performance musicians musicology narrative neo-tribes Nickelback Northern Soul Ohio Players Panjabi participants particular play political Pop Idol pop music Popular Culture popular music popular music recordings popular musicology queer question relationship rhythm rock music role score sexual Simon Frith singing social song sonic sound sound reproduction South Asian space star Stereo-Hifi style subcultural television Tori Amos track traditional University Press urban visual vocal voice York youth