Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe, 2. köideChapman, brothers, 1876 - 554 pages |
From inside the book
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Page 6
... especially of this one of his comedies- maintain that it represented ' What You ( all ) Will . ' Were it necessary , a closer examination of the leading characters would still more clearly establish the inter- pretation which I have ...
... especially of this one of his comedies- maintain that it represented ' What You ( all ) Will . ' Were it necessary , a closer examination of the leading characters would still more clearly establish the inter- pretation which I have ...
Page 9
... especially however by the view of life repre- sented , and which is not usually met with either in a youth or in a man verging upon old age , but in a man's best and most vigorous years , when the gifted mind has reached the climax of ...
... especially however by the view of life repre- sented , and which is not usually met with either in a youth or in a man verging upon old age , but in a man's best and most vigorous years , when the gifted mind has reached the climax of ...
Page 21
... especially fond of assigning the principal parts to the female sex . Thus in The Winter's Tale , ' ' Love's Labour Lost , ' All's Well That Ends Well , " The Mer- chant of Venice , ' and in ' Much Ado About Nothing , ' etc. Woman , with ...
... especially fond of assigning the principal parts to the female sex . Thus in The Winter's Tale , ' ' Love's Labour Lost , ' All's Well That Ends Well , " The Mer- chant of Venice , ' and in ' Much Ado About Nothing , ' etc. Woman , with ...
Page 37
... especially the scenes with the shepherds were left more or less unchanged ; this would also explain its fresh colouring as compared with The Tempest , ' ' Cymbeline ' and ' Timon of Athens . ' 6 6 CHAPTER III . THE TEMPEST AND A ...
... especially the scenes with the shepherds were left more or less unchanged ; this would also explain its fresh colouring as compared with The Tempest , ' ' Cymbeline ' and ' Timon of Athens . ' 6 6 CHAPTER III . THE TEMPEST AND A ...
Page 55
... especially the plotted murder , which is prevented by Ariel's interference , serve to increase the drastic unfolding of the characters . With- out this feature , our only means of becoming acquainted with Antonio's way of thinking would ...
... especially the plotted murder , which is prevented by Ariel's interference , serve to increase the drastic unfolding of the characters . With- out this feature , our only means of becoming acquainted with Antonio's way of thinking would ...
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Common terms and phrases
according accordingly action æsthetic appeared beauty Ben Jonson caprice character circumstances colouring comedy comic composition connection contrast Coriolanus critics Cymbeline death Delius diction Duke edition endeavoured English external fact Falstaff fantastic favour feeling French Gentlemen of Verona German Gervinus give hand hence Henry Henry IV Henry VI historical drama human humour idea intrigue Julius Cæsar King John Lastly latter Malone manner Marlowe's Measure for Measure merely Merry Midsummer Night's Dream mind moral motives nature noble outward passages passion Pericles personages piece poet poet's poetical poetry Portrait possess Prince Prospero's proved quarto Queen reality regards representation represented Richard Richard III RSITY scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare's spirit stage Steevens style Tempest theatre Tieck Timon of Athens tion Titus Andronicus tragic Translated True Tragedie truth unity UNIV vols whole wholly written
Popular passages
Page 415 - All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Page 326 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 117 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Page 412 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 149 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
Page 427 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 427 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Page 428 - His histories, being neither tragedies nor comedies, are not subject to any of their laws; nothing more is necessary to all the praise which they expect than that the changes of action be so prepared as to be understood, that the incidents be various and affecting, and the characters consistent, natural, and distinct. No other unity is intended, and therefore none is to be sought.
Page 150 - Merciful Heaven ! Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak Than the soft myrtle. 0 but man, proud man ! Drest in a little brief authority, Most ignorant of what he's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven, As make the angels weep.
Page 150 - Could great men thunder As Jove himself does, Jove would ne'er be quiet, For every pelting, petty officer, Would use his heaven for thunder ; nothing but thunder.