Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe, 2. köideChapman, brothers, 1876 - 554 pages |
From inside the book
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Page 1
... sides of the same artistic form . Both species rather represent the same play of manifold accidents which thwart the intentions , the plans and the actions . of men , and lead to a happy result through discord and quarrels ...
... sides of the same artistic form . Both species rather represent the same play of manifold accidents which thwart the intentions , the plans and the actions . of men , and lead to a happy result through discord and quarrels ...
Page 2
... sides of the comic ( as conceived by Shakspeare ) are almost equally blended , and which may accordingly be regarded as the prototype of the Shak- spearian conception of comedy . I shall then proceed to the series which is more ...
... sides of the comic ( as conceived by Shakspeare ) are almost equally blended , and which may accordingly be regarded as the prototype of the Shak- spearian conception of comedy . I shall then proceed to the series which is more ...
Page 18
... side - but con- tinues to cherish and foster his inclinations , caprices and humours ; these , however , have now taken the form of sentimental melancholy , and express themselves more in speeches full of black views of life , than in ...
... side - but con- tinues to cherish and foster his inclinations , caprices and humours ; these , however , have now taken the form of sentimental melancholy , and express themselves more in speeches full of black views of life , than in ...
Page 20
... and mode of life as you like it reflected in a concave mirror ; but this exterior , at the same time , conceals the poetic truth of the reverse side of the whole . Therefore we find a striking contrast 20 [ BOOK V. SHAKSPEARE'S COMEDIES .
... and mode of life as you like it reflected in a concave mirror ; but this exterior , at the same time , conceals the poetic truth of the reverse side of the whole . Therefore we find a striking contrast 20 [ BOOK V. SHAKSPEARE'S COMEDIES .
Page 25
... side of its outward form and direct appearance , but , so to say , only in coloured outlines - light and shade are indicated only by gentle touches —the figures therefore do not stand out with sufficient fulness and clearness , there is ...
... side of its outward form and direct appearance , but , so to say , only in coloured outlines - light and shade are indicated only by gentle touches —the figures therefore do not stand out with sufficient fulness and clearness , there is ...
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Common terms and phrases
according accordingly action ¿sthetic appeared beauty Ben Jonson caprice character circumstances colouring comedy comic composition connection contrast Coriolanus critics Cymbeline death Delius diction Duke edition endeavoured English external fact Falstaff fantastic favour feeling French Gentlemen of Verona German Gervinus give hand hence Henry Henry IV Henry VI historical drama human humour idea intrigue Julius C¿sar King John Lastly latter Malone manner Marlowe's Measure for Measure merely Merry Midsummer Night's Dream mind moral motives nature noble outward passages passion Pericles personages piece poet poet's poetical poetry Portrait possess Prince Prospero's proved quarto Queen reality regards representation represented Richard Richard III RSITY scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare's spirit stage Steevens style Tempest theatre Tieck Timon of Athens tion Titus Andronicus tragic Translated True Tragedie truth unity UNIV vols whole wholly written
Popular passages
Page 415 - All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Page 326 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 117 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Page 412 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 149 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
Page 427 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 427 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Page 428 - His histories, being neither tragedies nor comedies, are not subject to any of their laws; nothing more is necessary to all the praise which they expect than that the changes of action be so prepared as to be understood, that the incidents be various and affecting, and the characters consistent, natural, and distinct. No other unity is intended, and therefore none is to be sought.
Page 150 - Merciful Heaven ! Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak Than the soft myrtle. 0 but man, proud man ! Drest in a little brief authority, Most ignorant of what he's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven, As make the angels weep.
Page 150 - Could great men thunder As Jove himself does, Jove would ne'er be quiet, For every pelting, petty officer, Would use his heaven for thunder ; nothing but thunder.