Drama in Performance

acted speech actors ALMAN Antigone Antony and Cleopatra Antony's Arkadina audience auditorium Barnwell Bertolt Brecht Borg Brecht Cæsar character Chekhov chorus Close-up conditions of performance conventions curtain death detail DIDI door Dorn dramatic action dramatic method dramatic speech dramatist effect element Eliot Elizabethan emphasis enacted essential Eteokles Everyman experience Family Reunion film formal front Galileo gesture goblet Gogo Good-Deeds Gudmund Hæmon Hamlet Harry Ibsen indicate Ingmar Bergman kind of action kind of dramatic Konstantin Kreon logeion London look Margit Mary medieval Medieval Theatre Messenger move movement naturalist Nina orchestra particular pattern physical Plate Polyneikes problem proscenium arch reality rhythm scene screenplay Seagull sentry singing Solhoug Sorin speak Stanislavsky Stasimon structure of feeling T. S. ELIOT Teiresias text and performance Theatre of Dionysus theatrical thee thou Trigorin verse Waiting for Godot Wild Strawberries window Wishwood words writing written