то Mrs. ARABELLA FERMOR. I MADAM, T will be in vain to deny that I have fome regard for this piece, fince I dedicate it to You.. Yet you may bear me witness, it was intended only to divert a few young Ladies, who have good fenfe and good humour enough to laugh not only at their fex's little unguarded follies, but at their own. But as it was communicated with the air of a Secret, it foon found its way into the world. An imperfect copy having been offer'd to a Bookfeller, you had the good-nature for my fake to consent to the publication of one more correct: This I was forc'd to, before I had executed half my defign, for the Machinery was entirely wanting to compleat it. The Machinery, Madam, is a term invented by the Critics, to fignify that part which the Deities, Angels, or Dæmons are made to act in a Poem: For the ancient Poets are in one refpect like many modern Ladies; let an action be never fo trivial in itself, they always make it appear of the utmost importance. These Ma 3 chines chines I determin'd to raise on a very new and odd foundation, the Roficrucian doctrine of Spirits. I know how disagreeable it is to make use of hard words before a Lady; but 'tis fo much the concern of a Poet to have his works understood, and particularly by your Sex, that you must give me leave to explain two or three difficult terms. The Roficrucians are a people I must bring you acquainted with. The beft account I know of them is in a French book call'd Le Comte de Gabalis, which both in its title and fize is fo like a Novel, that many of the Fair Sex have read it for one by mistake. According to these Gentlemen, the four Elements are inhabited by Spirits, which they call Sylphs, Gnomes, Nymphs, and Salamanders. The Gnomes or Dæmons of Earth delight in mischief; but the Sylphs, whofe habitation is in the Air, are the best-condition'd creatures imaginable. For they fay, any mortals may enjoy the most intimate familiarities with these gentle Spirits, upon a condition very easy to all true Adepts, an inviolate prefervation of Chastity. As to the following Canto's, all the paffages of them are as fabulous, as the Vifion at the beginning, or the Transformation at the end; (except the lofs of your Hair, which I always mention with reverence.) The Human perfons are as fictitious as the Airy ones; and the character of Belinda, as it is now manag'd, resembles you in nothing but in Beauty. If this Poem had as many Graces as there are in your Perfon, or in your Mind, yet I could never hope it it fhould pass thro' the world half fo Uncenfur'd as You have done. But let its fortune be what it will, mine is happy enough, to have given me this occafion of affuring you that I am, with the truest esteem, MADAM, Your most obedient, Humble Servant, A. POPE. THE THE RAPE of the LOCK. W CANTO I. HAT dire offence from am'rous causes fprings, What mighty contests rife from trivial things, I fing-This verse to C, Mufe! is due: This, ev'n Belinda may vouchsafe to view: Slight is the fubject, but not fo the praise, If She infpire, and He approve my lays. Say what strange motive, Goddess! could compel A well-bred Lord t' affault a gentle Belle? Oh fay what ftranger caufe, yet unexplor'd; Cou'd make a gentle Belle reject a Lord? In tasks so bold, can little men engage, And in foft bofoms dwells fuch mighty Rage? 10 The firft fketch of this Poem was written in less than a fortnight's time, in 1711, in two Canto's, and fo printed in a Mifcellany, without the name of the Author. The Machines were not inferted till a year after, when he publish'd it, and annex'd the foregoing Dedication. VER. II, 12. It was in the first editions, Sol |