A Practical System of Rhetoric; or the principles and rules of style, inferred from examples of writing: with an historical dissertation on English style
John R. Priestley, 1837 - 292 pages
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
addressed admired allusions appearance applied argument attempts attention become bring called cause caution circumstances close common comparison composition connected connexion correct direct distinct effect emotions of beauty emotions of taste English evidently examination example excellence excite exercise exhibit exist expression facts familiar favourable feelings figurative fitness former frequently give given habits happy Hence illustration imagination implied importance improvement individuals influence instances intellectual interest introduced kind knowledge language leading light literary living look manner meaning ment mentioned metaphor mind nature notice object observed occasion opinions original ornaments particular passage period present principles productions qualities readers reason refer regarded relation remarks require resemblance Rhetoric rules scenes selection sense sentence skill sometimes speak striking student style taste things thoughts tion whole words writer
Page 32 - The sky is changed ! — and such a change ! Oh night, And storm, and darkness, ye are wondrous strong, Yet lovely in your strength, as is the light Of a dark eye in woman ! Far along, From peak to peak, the rattling crags among Leaps the live thunder ! Not from one lone cloud, But every mountain now hath found a tongue, And Jura answers, through her misty shroud, Back to the joyous Alps, who call to her aloud!
Page 270 - For men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men...
Page 61 - To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.
Page 270 - ... a couch, whereupon to rest a searching and restless spirit; or a terrace, for a wandering and variable mind to walk up and down with a fair prospect; or a tower of state, for a proud mind to raise itself upon; or a fort or commanding ground, for strife and contention; or a shop, for profit or sale; and not a rich storehouse, for the glory of the Creator and the relief of man's estate.
Page 270 - ... as if there were sought in knowledge a couch whereupon to rest a searching and restless spirit; or a terrace for a wandering and variable mind to walk up and down with a fair prospect; or a tower of state for a proud mind to raise itself upon; or a fort or commanding ground for strife and contention; or a shop for profit or sale; and not a rich storehouse for the glory of the Creator and the relief of man's estate.
Page 234 - The graces taught in the schools, the costly ornaments and studied contrivances of speech, shock and disgust men, when their own lives, and the fate of their wives, their children, and their country, hang on the decision of the hour. Then, words have lost their power, rhetoric is vain, and all elaborate oratory contemptible.
Page 288 - All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation : he was naturally learned; he needed not the spectacles of books to read nature ; he looked inwards, and found her there.
Page 225 - The resources created by peace are means of war. In cherishing those resources, we but accumulate those means. Our present repose is no more a proof of inability to act, than the state of inertness and inactivity in which...
Page 67 - The mountain-shadows on her breast Were neither broken nor at rest ; In bright uncertainty they lie, Like future joys to Fancy's eye.