XVIII. The struggling pangs of confcious Truth to hide, XIX. Far from the madding crowd's ignoble strife, XX. Yet even these bones from infult to protect, With uncouth rhymes and fhapelefs fculpture deck'd, Implores the paffing tribute of a figh. XXI. Their name, their years, fpelt by th' unletter'd Mufe, And many a holy text around fhe ftrews, XXII. For who, to dumb forgetfulness a prey, XXIII. On fome fond breast the parting foul relies, Some pious drops the clofing eye requires : Even from the grave the voice of Nature cries; Even in our afhes live their wonted fires *. XXIV. For thee, who, mindful of th' unhonour'd dead, XXV. Haply, fome hoary-headed Swain may say, XXVI. "There, at the foot of yonder nodding beech, "That wreathes its old fantaftic roots fo high, "His liftless length at noontide would he stretch, "And pore upon the brook that babbles by. *Even in our afbes live their wonted fires.] Ch'i veggio nel penfier, dolce mio fuoco, PETR. Son. 169. XXVII. XXVII. "Hard by yon wood, now fmiling as in fcorn, "Mutt'ring his wayward fancies, he would rove; "Now drooping, woeful wan, like one forlorn, "Or craz'd with care, or crofs'd in hopeless love. XXVIII. "One morn I miss'd him on the custom'd hill, "Along the heath, and near his favourite tree: "Another came; nor yet befide the rill, "Nor up the lawn, nor at the wood was he. XXIX. "The next, with dirges due, in fad array, "Slow thro' the church-way path we faw him "born. <c Approach and read (for thou can'st read) the lay, "Grav'd on his ftone beneath yon aged thorn." THE EPITAPH. XXX. Here refts his head upon the lap of Earth, XXXI. XXXI. Large was his bounty, and his foul fincere; XXXII. No farther feek his merits to disclose, • (There they alike in trembling hope repose,)] paventofa fpeme. PETR, Son. 114. M/ Y process has brought me at last to the far-famed "Elegy written in a Country Church-yard." Of this Elegy, Caution feems to dictate, that Cenfure fhould fay but little, where Praise has faid fo much. Even Obftinacy is content to admit it to be poffeffed of the prefumptive claim to commendation, which is derived from popularity. Literary history furnishes not many inftances, where the anxieties of authors have been fully removed, before the Public was in poffeffion of their work. Yet fuch was the cafe in the inftance before us. The favourable opinion of the world, with respect to this poem, was afcertained whilst it was yet in the birth; and Attention was roufed by repeated whispers, about a capital elegiac production, circulating among a few confidential friends, and of whofe author it was faid (in the cant ufual on fuch occafions) that the diffidence withheld it from the public eye. In |