An Essay on the Writings and Genius of Pope, 1. köideM. Cooper, 1756 |
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Page xi
... first class , I would place , firft , our only three fublime and pathetic poets ; SPENSER , SHAKESPEARE , MILTON ; and then , at proper intervals , OTWAY and LEE . In the fecond class should be placed , fuch as poffeffed the true ...
... first class , I would place , firft , our only three fublime and pathetic poets ; SPENSER , SHAKESPEARE , MILTON ; and then , at proper intervals , OTWAY and LEE . In the fecond class should be placed , fuch as poffeffed the true ...
Page 8
... first Pas- toral , invented in imitation of the Virgilian ¿nigmas in the third eclogue , favours of pun , and puerile conceit . Αιθε γενοίμαν Α βομβευσα μελισσα , κι ες τεον άντρον ἰκοιμαν , Τον κισσον διαδυς , και ταν λεςιν α τυ ...
... first Pas- toral , invented in imitation of the Virgilian ¿nigmas in the third eclogue , favours of pun , and puerile conceit . Αιθε γενοίμαν Α βομβευσα μελισσα , κι ες τεον άντρον ἰκοιμαν , Τον κισσον διαδυς , και ταν λεςιν α τυ ...
Page 9
... first and laft Eclogues of Virgil are indifputable proofs of true genius , and power of fancy . The influence of war on the tran- quillity of rural life † , rendered the subject of * Ver . 85 . + I have been lately highly entertained ...
... first and laft Eclogues of Virgil are indifputable proofs of true genius , and power of fancy . The influence of war on the tran- quillity of rural life † , rendered the subject of * Ver . 85 . + I have been lately highly entertained ...
Page 10
Joseph Warton. of the first new , and interefting : its compo- fition is truly dramatic ; and the characters of it's two fhepherds are well fupported , and happily contrasted : and the last has ... first new, and interefting: its compo- ...
Joseph Warton. of the first new , and interefting : its compo- fition is truly dramatic ; and the characters of it's two fhepherds are well fupported , and happily contrasted : and the last has ... first new, and interefting: its compo- ...
Page 25
... First the fam'd authors of his ancient name , The winding Ifis , and the fruitful Tame : The Kennet swift , for filver eels renown'd , The Loddon flow , with verdant ofiers crown'd : Cole , whose dark ftreams his flowery islands lave ...
... First the fam'd authors of his ancient name , The winding Ifis , and the fruitful Tame : The Kennet swift , for filver eels renown'd , The Loddon flow , with verdant ofiers crown'd : Cole , whose dark ftreams his flowery islands lave ...
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Common terms and phrases
Abelard Addiſon alfo almoſt alſo ancient beautiful becauſe beſt Boileau cauſe character circumſtances cloſe compofition Corneille criticiſm defcribed defign deſcription Domenichino Dryden Eclogue Effay elegant Eloifa Engliſh EPISTLE eſpecially Euripides excellent expreffed expreffion exquifite faid fame fatire fays feem fentiments fhall firft firſt fome fpecies ftory ftrokes fubject fublime fuch fufficient genius greateſt himſelf hiſtory Iliad images imagination inferted inftance itſelf Jane Shore juſt laft laſt Milton moft moſt mufic muſt nature numbers obfervations occafion Ovid paffage paffion pathetic perfon Petrarch pieces Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes preſent profe publiſhed qu¿ Quintilian Racine raiſed reaſon remarkable repreſent reſemblance reſpect ſay ſcene ſeems ſeveral ſhall ſhe ſhould ſome Sophocles ſpeak ſpirit ſtage ſtanza ſtate ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe tion tragedy tranflation uſed verfe verſes Virgil Voltaire whofe whoſe writing
Popular passages
Page 175 - But see! each Muse, in Leo's golden days, Starts from her trance, and trims her wither'd bays! Rome's ancient Genius, o'er its ruins spread, Shakes off the dust, and rears his rev'rend head. Then Sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising Temple rung; A Raphael painted, and a Vida sung.
Page 144 - Where a new world leaps out at his command, And ready nature waits upon his hand ; When the ripe colours soften and unite, And sweetly melt into just shade and light ; When mellowing years their full perfection give( And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away...
Page 81 - And, when I die, be sure you let me know Great Homer died three thousand years ago. Why did I write? what sin to me unknown Dipp'd me in ink, my parents', or my own?
Page 152 - Durfey's Tales. With him most authors steal their works, or buy ; Garth did not write his own Dispensary. Name a new play, and he's the poet's friend ; Nay, show'd his faults — but when would poets mend? No place so sacred from such fops is barr'd, Nor is Paul's church more safe than Paul's churchyard: Nay, fly to altars ; there they'll talk you dead ; For fools rush in where angels fear to tread.
Page 131 - Tis not a lip, or eye, we beauty call, But the joint force and full result of all. Thus when we view some well-proportion'd dome, (The world's just wonder, and ev'n thine, O Rome!) No single parts unequally surprise, All comes united to th' admiring eyes; No monstrous height, or breadth or length appear; The whole at once is bold and regular.
Page 319 - May one kind grave unite each hapless name, And graft my love immortal on thy fame. Then, ages hence, when all my woes are o'er...
Page 299 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...
Page 41 - Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well.
Page 126 - Some figures monstrous and mis-shap'd appear, Consider'd singly, or beheld too near, Which, but proportion'd to their light, or place, Due distance reconciles to form and grace. A prudent chief not always must display 175 His pow'rs, in equal ranks, and fair array, But with th' occasion and the place comply, Conceal his force, nay seem sometimes to fly.
Page 295 - Repentant sighs, and voluntary pains: Ye rugged rocks! which holy knees have worn; Ye grots and caverns shagg'd with horrid thorn! .-• Shrines! where their vigils pale-ey'd virgins keep, And pitying saints, whose statues learn to weep! Tho' cold like you, unmov'd and silent grown, I have not yet forgot myself to stone.