14. 15. FALSEHOOD-TRUTH, &c. It is not in the power CUMBERLAND's Philemon. Beyond all contradiction, The most sincere that ever dealt in fiction. BYRON'S Don Juan. 16. My smiles must be sincere, or not at all. BYRON'S Don Juan. 17. "Tis strange, but true; for truth is always strange, 18. I know the action was extremely wrong; I own it, I deplore it, I condemn it; But I detest all fiction, even in song, 259 And so must tell the truth, howe'er you blame it. 19. I mean to show things as they really are, BYRON'S Don Juan. 20. First, I would have thee cherish truth, MISS ELIZA Cook. 21. Truth, crush'd to earth, shall rise again,- W. C. BRYANT. 260 FAME-NOTORIETY. FAME-NOTORIETY. 1. Death makes no conquest of this conqueror, For now he lives in fame though not in life. 2. Talk not to me of fond renown, the rude, SHAKSPEARE. 3. I courted fame but as a spur to brave And honest deeds; and who despises fame, 4. Knows he that mankind praise against their will, Is so much tickled from not hearing all? CROWN. MALLET. YOUNG'S, Night Thoughts. 7. Fame is the spur that the clear spirit doth raise, To scorn delights, and live laborious days. 5. They, spider-like, spin out their precious all, YOUNG'S Night Thoughts. 6. With fame, in just proportion, envy grows; The man that makes a character, makes foes. YOUNG. MILTON. 8. The whole amount of that enormous fame, A tale that blends their glory with their shame. POPE'S Essay on Man. FAME-NOTORIETY. 9. What's fame? a fancied life in others' breath, A thing beyond us, even before our death. POPE'S Essay on Man. 10. Whose honours with increase of ages grow, As streams roll down, enlarging as they go. POPE'S Essay on Criticism. 11. A youth to fame, ere yet to manhood, known. 12. Absurd! to think to overreach the grave, And from the wreck of names to rescue ours: 13. He left a name at which the world grew pale, To point a moral, or adorn a tale. 261 BLAIR'S Grave. 14. And glory long has made the sages smile; POPE. DR. JOHNSON. Than on the name a person leaves behind. 16. And blaze with guilty glare thro' future time, Eternal beacons of consummate crime. 17. Far dearer the grave or the prison, 15. What is the end of fame? "Tis but to fill Whose summit, like all hills, is lost in vapour. BYRON'S English Bards, &c. MOORE. 262 FANCY-IMAGINATION. 18. What is fame, and what is glory? A dream, a jester's lying story, To tickle fools withal, or be A theme for second infancy. A word of praise, perchance of blame, 19. -To win the wreath of fame, 20. Lives of great men all remind us We can mak our lives sublime, 21. We tell thy doom without a sigh, MOTHERWELL. For thou art freedom's now, and fame’s— 2. The lunatic, the lover, and the poet, Are of imagination all compact. H. W. LONGFELLOW. FANCY-IMAGINATION. 1. Oh, who can hold a fire in his hand, SANDS. FITZ-GREEN HALLECK. SHAKSPEARE. SHAKSPEARE. FANCY-IMAGINATION. 3. This busy power is working day and night; 4. Each change of many-colour'd life he drew, 5. Do what he will, he cannot realize 6. Pleasant at noon, beside the vocal brook, 7. Woe to the youth whom Fancy gains, Winning from Reason's hand the reins. 263 ROGERS. SOUTHEY. SCOTT's Rokeby. 8. Where Fancy halted, weary in her flight, 10. Like the Chaldean, he could watch the stars Till he had peopled them with beings bright As their own beams. POLLOK's Course of Time. 9. The beings of the mind are not of clay, Essentially immortal, they create And multiply in us a brighter ray, And more belov'd existence. BYRON'S Childe Harold. BYRON'S Childe Harold. |