The Greater Victorian PoetsS. Sonnenschein and Company, 1895 - 332 pages |
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Page 29
... dramatic . But the argument is not convincing . After all , Tennyson had the making of the hero ; and there seems to be no sufficient reason why he should not have made him a a somewhat worthier mouthpiece of the feelings and ...
... dramatic . But the argument is not convincing . After all , Tennyson had the making of the hero ; and there seems to be no sufficient reason why he should not have made him a a somewhat worthier mouthpiece of the feelings and ...
Page 30
... dramatic writer as such , to win respect for the character in which he embodied such views and sentiments . This Tennyson fails to do , and therefore Locksley Hall falls short of greatness . We Y must recognise the energy of purpose of ...
... dramatic writer as such , to win respect for the character in which he embodied such views and sentiments . This Tennyson fails to do , and therefore Locksley Hall falls short of greatness . We Y must recognise the energy of purpose of ...
Page 37
... dramatic in principle , " yet not a drama . There are several interlocutors , but there is not that rapid march of events , nor is there to any considerable degree that influence of mind upon mind , that development of the catastrophe ...
... dramatic in principle , " yet not a drama . There are several interlocutors , but there is not that rapid march of events , nor is there to any considerable degree that influence of mind upon mind , that development of the catastrophe ...
Page 38
... dramatic gifts , Browning had struck upon the form of poetry which long experience proved to be best suited to his genius . Moreover , in his divergence from the regular dramatic form he was in accord with the genius of the time , which ...
... dramatic gifts , Browning had struck upon the form of poetry which long experience proved to be best suited to his genius . Moreover , in his divergence from the regular dramatic form he was in accord with the genius of the time , which ...
Page 39
... dramatic vividness of the character , in Paracelsus we more frequently lose the character in the thought . This is one of the few indications of youthful- ness which the poem affords . Browning could already think profoundly , but he ...
... dramatic vividness of the character , in Paracelsus we more frequently lose the character in the thought . This is one of the few indications of youthful- ness which the poem affords . Browning could already think profoundly , but he ...
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Common terms and phrases
already Andrea del Sarto Arnold artist beauty Becket Browning Browning's Byron Caliban upon Setebos century character Colombe's Birthday conception contrast criticism death doubt dramatic Dramatic Lyrics earlier Empedocles English evil evolution expression fact faith feeling Ferishtah's Fancies give Goethe heart hope human Idylls influence intellectual interest King knowledge later less light literature live Locksley Hall Lyrics Matthew Arnold Maud means Memoriam method mind moral nature never Obermann once Ottima Palace of Art Paracelsus passage passion perhaps period philosophy picture pieces Pippa Passes play poems poet poet's poetic poetry political Pompilia present principle probably prove question reason regard Scholar Gipsy Sebald seems Senancour sense Shakespeare social Sordello soul spirit style success sympathy Tennyson things thou thought Thyrsis tion true truth verse voice whole words Wordsworth
Popular passages
Page 324 - Behold, we know not anything ; I can but trust that good shall fall At last — far off— at last, to all, And every winter change to spring. So runs my dream : but what am I ? An infant crying in the night : An infant crying for the light : And with no language but a cry.
Page 108 - And bade me creep past. No! let me taste the whole of it, fare like my peers The heroes of old, Bear the brunt, in a minute pay glad life's arrears Of pain, darkness and cold. For sudden the worst turns the best to the brave, The black minute's at end, And the elements...
Page 322 - Of all the western stars, until I die. It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Tho' much is taken, much abides; and tho...
Page 242 - Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.
Page 21 - And in poetry, no less than in life, he is * a beautiful and ineffectual angel, beating in the void his luminous wings in vain.
Page 11 - I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world, whose margin fades For ever and for ever when I move. How dull it is to pause, to make an end, To rust unburnish'd, not to shine in use ! As tho
Page 303 - Tis the weakness in strength, that I cry for! my flesh, that I seek In the Godhead! I seek and I find it. O Saul, it shall be A Face like my face that receives thee; a Man like to me, Thou shalt love and be loved by, for ever: a Hand like this hand Shall throw open the gates of new life to thee! See the Christ stand!
Page 109 - Just when we are safest, there's a sunset-touch, A fancy from a flower-bell, some one's death, A chorus-ending from Euripides, And that's enough for fifty hopes and fears As old and new at once as nature's self, To rap and knock and enter in our soul, Take hands and dance there, a fantastic ring, Round the ancient idol, on his base again, The grand Perhaps ! We look on helplessly.
Page 250 - And, moved thro' life of lower phase, Result in man, be born and think, And act and love, a closer link Betwixt us and the crowning race Of those that, eye to eye, shall look On knowledge; under whose command Is Earth and Earth's, and in their hand Is Nature like an open book; No longer half-akin to brute, For all we thought and loved and did.
Page 114 - Then, welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe!