Arnold, Matthew, 25.
Art, 45, 49, 63, 150, 173, 176,
182, 226, 233, 239, 303, 310.
Arthur, King, 72, 121.

Beauty, 51, 98, 149.
Burns, 38.

Browning, Robert: his father,

279; early verses, 279; in-
fluence of Shelley, 280;
first poem, 280; "Paracel-
sus," 281; "Bells and
Pomegranates," 282; mar-
riage, 282; personal traits,
284; Bayard Taylor's de-
scription of, 284; Haw-
thorne's, 284; Harriet Mar-
tineau's, 285; Landor's, 286;
Domett's 287; personality
of, 288; relations to his wife,
289; Elizabeth Barrett, 291;
wedding, 293; in Italy, 295;
influence of marriage, 299;
tributes to wife, 298.
Browning as a thinker, 303;
theory of art, 304; theory
of nature, 307; theory of

life, 308; music, 312; per-
sonality, 313; character-
istics as a poet, 316; style,
318; Gothic spirit, 323;
learning, 327; dramatic
method, 329; dramas, 330;
development of soul, 336;
poet of psychology, 337;
his own teachings, 343;
poetic qualities, 345; love
of man, 346; analytic spirit,
347; philosophic attitude,
349; the individual, 351;
God, 352; attitude of doubt,
355; his faith, 356; an ideal-
ist, 357; a Christian, 359;
Christ, 359; revelation, 365;
human nature, 367; intui-
tion, 368; insight, 369;
promise of man's hature,
377; probation, 378; relig-
ious aspiration, 380; sum-

mary, 385.

Browning, 10, 13, 37, 181, 264,
273.

Browning, Mrs., 39, 133, 282,
290.

Realism, 64, 155, 206, 230, 238.
Revolution, 66, 217.
Revolution, French, 57, 174.
Rhyme, 37.

Rousseau, 202, 229.
Ruskin, John: influence of
father, 185; love of nature,
185; childhood, 186; early
love of art, 187; influence
of mother, 188; poetry, 189;
at Oxford, 190; "Modern
Painters," 191; as an author,
192; personal traits, 192;
described by Crabbe Robin-
son, 193; Miss Mitford, 193;
Sydney Dobell, 193; habits,

194.
Ruskin art influence, 183; as
a prose writer, 196; elo-
quence, 197; imagination,
197; poetry, 198; inter-
preter of life, 199; genius,
200; love of nature, 201;
like Rousseau, 202; Greek
spirit, 203; studies of na-
ture, 204; nature as God's
habitation, 205; like Words-
worth, 207; as a critic, 208;
theory of life, 209; breadth
of thought, 212; science,
216; sympathy with Oxford
movement, 217; criticism
not sound, 219; defects in
teaching, 223; art critic,
226; nature of art, 227;
conventionalism in art, 228;
truthfulness, 230; love of

man, 231; moral teaching,
233; realism, 237; higher
worth of art, 240; sympa-
thies with humanity, 243;
political economy, 243; St.
George's Guild, 247; "strong
man," 249; paternalism in
government, 250; religious
teachings, 257; a Christian,
259; critic of religion, 261;
faith in God, 264; summary,
266.

Ruskin, 10, 13, 36, 183, 185,
305.

Arthur Hallam, 78; moves
to London, 78; wanderings,
79; Howitt's description, 79;
Landor's,80; Caroline Fox's,
80; "Poems" in two vol-
umes, 81; Poet Laureate,
82; at Freshwater, 82; per-
sonal habits, 83; Conway's
description, 84; Caroline
Fox again, 84; Carlyle's,
85; character, 86.
Tennyson: rank as a poet, 88;
love of melody and music,
89; an artist in words, 90;
habit of revision, 92; accu-
racy in details, 93; his
knowledge, 93; wholly a
poet, 94; plagiarisms, 95;
letter quoted, 96; love of
beauty, 98; dilettante in

with the past, 132; poems
of love, 133; patriotic
poetry, 134; chief char-
acteristic, 136; dramatic
poetry, 138; views of art,
144; moral aim in poetry,
145; nature of true art, 150;
artistic traits, 150; an ideal-
ist, 153; progress, 154;
faith in God, 156; belief in
immortality, 159; religious
ideas, 161; a broad church-
man, 164; "we have but
faith," 164; sympathy with
his time, 169; summary,
169.

Tennyson, 10, 13, 39, 52, 70,
181, 263.

Tennyson, Charles, 73, 76.
Transcendentalism, 60, 349.

Victorian era, 62, 67, 70, 173.

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