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Names.

Studied under

Excelled in

* Michael Angelo Buo-Dominico Ghirlan-great correctness

narotta

daio

ofdesign, grand & terrible subjects, profound knowledge of the anatomical

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Hist. and Urbino, Rome 1520 37 Rome, the Vatican,S. Pietro,

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in Montorio; S. Agustino, the Lungara, &c, Florence, the Palace; France, Versailles, the Palais Royal; England, Hampton-Court; Naples, the King's Collection. Venice; Rome, in many Collections, &c.

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1525 52

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History S. Geminiano 1527 52 Rome, the Vatican.

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History, Sienna, Rome 1536 55 Rome, Madonna della Pace. buildings

History Rome, Naples 1528 40 Rome, the Vatican; Lun

gara.

10 History Rome, Mantua 1546 54 Rome, Vatican, &c. Man

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tua, the Palace Té.

Rome, Vatican; Genoa,

Pal. Doria.
Rome, Vatican, &c.

1530 42

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Rome, Pal. Borghese, &c.
Naples, King's Collec-

History Venice, Rome 1547 62 Rome, S. Pietro in mon

torio, Cap. Chigi; France, Palais Royal

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5 His. Por. Bologna

His. Por. Bologna

History Bologna, Milan 1592 70 Bologna, the Academy;

History Bologna, France 1570 80 Fontainbleau; Chateau de

10 History Ferrara, Ferrara

Beauregard prés de Blois.

History Pordenone nel Fri-56 Venice.
Portraits uli, Venice 1540

15 History Il Truigiano, Engl. 36

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History Caravaggio, Messina 51 Rome, Pal. Barberini, Mas

chera d'Oro, Casa di Belloni.

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is scarcely an excuse. But if I have really

drawn a Portrait to the knees, or an halflength, with a tolerable likeness, then I may plead with some justice for myself, that the rest is left to the imagination. Let some better Artist provide himself of a deeper canvass; and taking these hints which I have given, set the figure on its legs, and finish it in the Invention, Design, and Colouring.

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