Names. Studied under Excelled in * Michael Angelo Buo-Dominico Ghirlan-great correctness narotta daio ofdesign, grand & terrible subjects, profound knowledge of the anatomical Hist. and Urbino, Rome 1520 37 Rome, the Vatican,S. Pietro, in Montorio; S. Agustino, the Lungara, &c, Florence, the Palace; France, Versailles, the Palais Royal; England, Hampton-Court; Naples, the King's Collection. Venice; Rome, in many Collections, &c. 1525 52 History S. Geminiano 1527 52 Rome, the Vatican. History, Sienna, Rome 1536 55 Rome, Madonna della Pace. buildings History Rome, Naples 1528 40 Rome, the Vatican; Lun gara. 10 History Rome, Mantua 1546 54 Rome, Vatican, &c. Man tua, the Palace Té. Rome, Vatican; Genoa, Pal. Doria. 1530 42 Rome, Pal. Borghese, &c. History Venice, Rome 1547 62 Rome, S. Pietro in mon torio, Cap. Chigi; France, Palais Royal 5 His. Por. Bologna His. Por. Bologna History Bologna, Milan 1592 70 Bologna, the Academy; History Bologna, France 1570 80 Fontainbleau; Chateau de 10 History Ferrara, Ferrara Beauregard prés de Blois. History Pordenone nel Fri-56 Venice. 15 History Il Truigiano, Engl. 36 History Caravaggio, Messina 51 Rome, Pal. Barberini, Mas chera d'Oro, Casa di Belloni. is scarcely an excuse. But if I have really drawn a Portrait to the knees, or an halflength, with a tolerable likeness, then I may plead with some justice for myself, that the rest is left to the imagination. Let some better Artist provide himself of a deeper canvass; and taking these hints which I have given, set the figure on its legs, and finish it in the Invention, Design, and Colouring. |